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Trust the Heart
Andy is the only one of his brothers who hasn’t met his mate yet, and he doesn’t expect it to happen anytime soon. What would be the odds? So he’s stunned when he meets Claude and realizes he just did. Claude had no idea what he was getting into when he agreed to go to a birthday party. He didn’t expect his boss and father figure to tell him that he, his family, and his son-in-law's family are all shifters. Claude has a hard time believing shifters are a thing outside romance novels, so Andy decides to wait to tell him about their bond. Then Claude asks him to be his fake boyfriend at a work event, and Andy can’t say no. He hopes the experience will pull them together, but Claude has erected a hard shell around his heart, and he’s not about to break it down. Claude is done with relationships, so why does he want to give in to Andy? Why is he tempted to put his heart in jeopardy once again when he swore he’d never allow another man to make him vulnerable and hurt him? Will Andy be the one to break down Claude’s walls and convince him to trust his heart, or will he fail and find himself rejected by his mate?
New Order + Joy Division
Formed from the erosion of Joy Division after the suicide of Ian Curtis, New Order were early pioneers of the synthesizer in dance music, coupled with deep bass lines. This book details the start of Factory Records and New Order's connections with Manchester's Hacienda Club, of which they were part owners. Also examined is the demise of Factory, the band's signing to Phonogram and the solo careers of Peter Hook, Barney Sumner, Julian Gilbert and Steve Morris.
The Living Age
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The Hacienda
Legendary musician Peter Hook tells the whole story - the fun, the music, the vast loss of money, the legacy - of Manchester's most iconic nightclub Peter Hook, as co-founder of Joy Division and New Order, has been shaping the course of popular music for thirty years. He provided the propulsive bass guitar melodies of 'Love Will Tear Us Apart' and the bestselling 12-inch single ever, 'Blue Monday' among many other songs. As co-owner of Manchester's Hacienda club, Hook propelled the rise of acid house in the late 1980s, then suffered through its violent fall in the 1990s as gangs, drugs, greed and a hostile police force destroyed everything he and his friends had created. This is his memory o...
THE CONSPIRACY KID
"You don't have to be kiddish, but it helps." A sonnet is penned and, lo, The Conspiracy Kid Fan Club is born. Read this sonnet and membership of the Fan Club is automatic and irreversible. In three parts - Fan Club, Hamburger and String - it is a literary soap, which chronicles the lives, loves, tragedies and triumphs of the earliest Conspiracy Kid Fan Club members: Edwin Mars (poet), Joe Claude (billionaire), Walter Cornelius (werewolf), Ewan Hoozarmi (artist), Muriel Cohen (chef) and a further motley assortment of various precarious humans. Another cheerfully ramshackle tale from the author of Beyond the Valley of Sex and Shopping.
ICC Register
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Devil's Gate
After participating in a demonic ritual, several men release a demon on the world. The man's granddaughter, Wendy Harper is the only one who can stop the demon from taking a body and controlling everything. She, along with Sawyer Jensen, goes into the lair of the demon to battle the demon once and for all.
Flowers Chronicles
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Approaches to Teaching Baudelaire's Prose Poems
A prolific poet, art critic, essayist, and translator, Charles Baudelaire is best known for his volumes of verse (Les Fleurs du Mal [Flowers of Evil]) and prose poems (Le Spleen de Paris [Paris Spleen]). This volume explores his prose poems, which depict Paris during the Second Empire and offer compelling and fraught representations of urban expansion, social change, and modernity. Part 1, "Materials," surveys the valuable resources available for teaching Baudelaire, including editions and translations of his oeuvre, historical accounts of his life and writing, scholarly works, and online databases. In Part 2, "Approaches," experienced instructors present strategies for teaching critical debates on Baudelaire's prose poems, addressing topics such as translation theory, literary genre, alterity, poetics, narrative theory, and ethics as well as the shifting social, economic, and political terrain of the nineteenth century in France and beyond. The essays offer interdisciplinary connections and outline traditional and fresh approaches for teaching Baudelaire's prose poems in a wide range of classroom contexts.
