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French Historians 1900-2000
French Historians 1900-2000: The New Historical Writing inTwentieth-Century France examines the lives and writings of 40of France’s great twentieth-century historians. Blends biography with critical analysis of major works, placingthe work of the French historians in the context of their lifestories Includes contributions from over 30 international scholars Provides English-speaking readers with a new insight into thekey French historians of the last century
The Columbia History of Twentieth-century French Thought
This valuable reference is an authoritative guide to 20th century French thought. It considers the intellectual figures, movements and publications that helped define fields as diverse as history, psychoanalysis, film, philosophy, and economics.
Tales of a Minstrel of Reims in the Thirteenth Century
An anonymous minstrel in thirteenth-century France composed this gripping account of historical events in his time. Crusaders and Muslim forces battle for control of the Holy Land, while power struggles rage between and among religious authorities and their conflicting secular counterparts, pope and German emperor, the kings of England and the kings of France. Meanwhile, the kings cannot count on their independent-minded barons to support or even tolerate the royal ambitions. Although politics (and the collapse of a royal marriage) frame the narrative, the logistics of war are also in play: competing military machinery and the challenges of transporting troops and matariel. Inevitably, the c...
The Performance of Self
Medieval courtiers defined themselves in ceremonies and rituals. Tournaments, Maying, interludes, charivaris, and masking invited the English and French nobility to assert their identities in gesture and costume as well as in speech. These events presumed that performance makes a self, in contrast to the modern belief that identity precedes social performance and, indeed, that performance falsifies the true, inner self. Susan Crane resists the longstanding convictions that medieval rituals were trivial affairs, and that personal identity remained unarticulated until a later period. Focusing on England and France during the Hundred Years War, Crane draws on wardrobe accounts, manuscript illuminations, chronicles, archaeological evidence, and literature to recover the material as well as the verbal constructions of identity. She seeks intersections between theories of practice and performance that explain how appearances and language connect when courtiers dress as wild men to interrupt a wedding feast, when knights choose crests and badges to supplement their coats of arms, and when Joan of Arc cross-dresses for the court of inquisition after her capture.
Saluting Aron Gurevich
The seventeen authors of this volume present an all-round picture of the person, the work, and the influence of the Russian medievalist Aron Gurevich who introduced innovative approaches to scholarship against all odds. Professor Janos Bak, Central European University
Marriage Rituals Italian Style
Marriage Rituals Italian Style: A Historical Anthropological Perspective on Early Modern Italian Jews is the first comprehensive attempt to present the wealth of primary documents relating to marriage rituals in Jewish Italian communities - responsa, private letters, court protocols, defamating books, love stories, material objects - and place them in historical context. The book traces the chronological course of different phases of marriage (matchmaking, betrothal, the wedding day), and also adopts a thematic perspective. Marriage rituals mirror key issues in local Jewish culture: family life, gender, the youth sub-culture, sexuality, the uses of property, and the honor ethos. Jewish marriage rituals in Italy are revealed as surprisingly similar to those of their Catholic neighbors, and undergo similar change process.
Imagining the Human Condition in Medieval Rome
The first monograph on the Vita Humana cycle at Tre Fontane, this book includes an overview of the medieval history of the Roman Cistercian abbey and its architecture, as well as a consideration of the political and cultural standing of the abbey both within Papal Rome and within the Cistercian order. Furthermore, it considers the commission of the fresco cycle, the circumstances of its making, and its position within the art historical context of the Roman Duecento. Examining the unusual blend of images in the Vita Humana cycle, this study offers a more nuanced picture of the iconographic repertoire of medieval art. Since the discovery of the frescoes in the 1960s, the iconographic programm...
Chaucer and the Making of Optical Space
The author links Chaucer's writings with the medieval optical tradition in its various forms (scholastic texts, encyclopedias, exempla, vernacular poetry) both in general cultural terms and through the discussion of specific examples. He shows how the science of optics, or perspectiva, provides an account of spatial perception, including visual error, and demonstrates how these aspects of optical theory impact on Chaucer's poetry. He provides detailed and sustained analysis of the spatial content of narratives across the range of Chaucer's works, relating them to optical ideas and making use of Lefebvre's theory of the production of space. The texts discussed include the Book of the Duchess, House of Fame, Knight's Tale, Miller's Tale, Reeve's Tale, Merchant's Tale, Squire's Tale and Troilus and Criseyde.
Companion to Historiography
The Companion to Historiography is an original analysis of the moods and trends in historical writing throughout its phases of development and explores the assumptions and procedures that have formed the creation of historical perspectives. Contributed by a distinguished panel of academics, each essay conveys in direct, jargon-free language a genuinely international, wide-angled view of the ideas, traditions and institutions that lie behind the contemporary urgency of world history.
