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Scholars have long stressed the problem of ornament and expression when considering Viennese modernism. By the first decade of the 20th century, however, the avant-garde had shifted its focus from the surface to the interior. Adolf Loos (1870–1933), together with Josef Frank (1885–1967) and Oskar Strnad (1879–1935), led this generation of architects to interpret modernism through culture and lifestyle. They were interested in the experience of architectural space: how it could be navigated, inhabited, and designed to reflect the modern way of life while also offering respite from it. The New Space traces the theoretical conversation about space carried out in the writings and built works of Loos, Frank, and Strnad over four decades. The three ultimately explored what Le Corbusier would later—independently—term the architectural promenade. Lavishly illustrated with new photography and architectural plans, this important book enhances our understanding of the development of modernism and of architectural theory and practice.
Fin-de-siecle Vienna has become the glorified icon of innovative modernism in the arts and letters. This detailed account of the suburban life-worlds presents a very different image, one of harsh struggles for subsistence and survival, disparities between the social classes resulting in spatial and cultural segregation."
A "Century of Austrian Design” offers a highly accessible overview of Austrian design culture from 1900 to the present against the background of the country’s extremely turbulent industrial history. In the process, the key aspects are explained in essays by celebrated experts. The book attempts to delineate a specifically "Austrian” formal language, citing as examples specific achievements in historical and contemporary design. As it does so, it also sheds light on other defining moments of Austria’s design culture, including the enormous potential of its inventors, the phenomenon of semi-industrial manufacturing, and the innovative design solutions advanced by the Austrian sporting goods industry. A yellow pages section with selected design addresses rounds off the volume.
Architects today must position themselves within an extremely wide-ranging field of qualifications. This makes it all the more important to have a fresh introduction to the field that makes up one of their core competences, the field of design. This introductory presentation describes and analyzes the theories, strategies, and tools of creative design for the purposes of practical work. With thoughtfulness and expertise, it opens the reader’s eyes to the processes that underlie design and demonstrates different ways of communicating about complex design work. The first section focuses on the much-discussed relationship between design and research, between architecture and the sciences. The second section describes basic design approaches, from Vitruvius and Alberti through Erwin Panofsky and Wolfgang Kemp to Otl Aicher and Vilém Flusser. The third and largest section presents the elementary tools of design, from gestures and words through drawings, models, and simulations to critique, all as instruments of creative design in architecture and its related fields.
Thoughts Form Matter versammelt drei Positionen, die "Freiraum" als gestalterischen Handlungsraum denken. Bild, Körper und Raum stehen als Grundkonstanten nebeneinander. Sie bilden den Raster für ein Moment der Destabilisierung und der Erzeugung eines geistigen Raumes. Sie verführen Auge, Körper und Intellekt. Ohne diesen geistigen Raum wäre ein Gebäude reine Konstruktion, eine Stadt nur Agglomeration. Wir gehen davon aus, dass Architektur den Raum nicht befüllt, sondern erzeugt. Die Installationen von LAAC, Henke Schreieck und Sagmeister&Walsh überlagern sich, verzerren sich in der Wahrnehmung. Sie stellen sich als Konzepte von "Abweichung", "Atmosphäre" und "Schönheit" dar, die k...
Which forms of company cooperation are open to cultural scientists and what can western universities and companies learn from current concepts in Eastern Europe? Using extensive interviews with successful managers, this book is an in-depth look at exceptional models of cooperation, using insights from eight different European companies.
Clients of architects are featured in this volume, which sheds light on the tricky balance of power between the architect and the client. It focuses on three visionaries who commissioned buildings which became 20th-century architectural icons.
Carl Mengers "Grundsätze der Volkswirthschaftslehre" erscheinen 1871 und markieren die Geburtsstunde der Österreichischen Schule der Nationalökonomie. 150 Jahre später kennen mehr Menschen in mehr Ländern die Österreichische Schule als je zuvor. Carl Menger, Ludwig Mises und Friedrich Hayek werden verteufelt oder wie Popstars verehrt. Ihre Köpfe zieren Poster und T-Shirts in aller Welt. Die Wurzeln der heutigen Neo-Austrian School liegen aber in Wien, wo zwischen 1871 und 1934 Wissenschaft, Philosophie, Kunst und Kaffeehauskultur einander zu Höchstleistungen inspirieren. Von diesen interdisziplinären und vielfältigen Wiener Ursprüngen und ihren globalen Folgen handelt dieses Buch. Möge es als Fußnote zur glorreichen Wiener Spätaufklärung Wissen vermitteln, Ideen stiften, zum Nachdenken und tolerant-kritischen Diskutieren anregen – und hoffentlich auch ein wenig unterhalten!
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