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Investigating Identities: Questions of Identity in Contemporary International Crime Fiction is one of the relatively few books to date which adopts a comparative approach to the study of the genre. This collection of twenty essays by international scholars, examining crime fiction production from over a dozen countries, confirms that a comparative approach can both shed light on processes of adaptation and appropriation of the genre within specific national, regional or local contexts, and also uncover similarities between the works of authors from very different areas. Contributors explore discourse concerning national and historical memory, language, race, ethnicity, culture and gender, an...
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The author analyses six novels of the "boom" in Cuban fiction of the 1990s that subvert homogenized views of Cuban identity.
This study examines representations of the cityscape and of a so-called "new urban violence" in both detective-centered and detectiveless crime fiction produced in Spanish America and Spain during recent decades. It documents the emergence and permutations of this production as an index not only of local perceptions of contemporary urban experience and of a contemporary urban "ecology of fear," but also as a transnational index of the globalization of literary forms and markets. It centers on the inscription of urban space in novels set in the metropolitan centers of the Hispanic World: Mexico City, Bogota, Buenos Aires, and Barcelona.
Diese Studie untersucht Inszenierungen von Kulturkontakt in zwolf literarischen Texten von neun chilenischen SchriftstellerInnen mit deutscher Exilerfahrung, u.A. OMar Saavedra Santis, Hernán Valdés, Constanza Lira, Luis Sepúlveda und Juan Forch. DIe transkulturelle Analyse der Exil- und Ruckkehrdynamiken wird in acht Betrachtungskategorien aufgefachert, darunter Mnemo- und Obliviotopografien und Genderkonstruktionen. NAchdrucklich zeigen die Ergebnisse, in welcher Form auch andere literaturwissenschaftliche Untersuchungen vom Konzept der Transkulturalitat profitieren konnten.
This collection of essays derives from a conference on Violence, Culture and Identity held in St Andrews in June 2003. It is a contribution to the understanding of representations of violence in Latin American narrative. The collected essays are dedicated to the study of the problematic history of violence as a means of 'civilizing' the region: violence used by dictatorial regimes to eradicate the collective memory of their actions; violence as a result of the history of marginalizing segments of the population; sexual violence as an attempt at complete control of the victim. The essays establish a clear link between historical, political and literary constructs spanning the past five hundred years of Latin American history. Close readings of political texts, historical documents, prose, poetry and films employ identity theories, postcolonial discourse, and the principles of mimetic and sacrificial violence. The volume adds to the ongoing critical investigation of the relationship between Latin American history and narrative, and to the key role of representations of violence within that narrative tradition.
This book examines how Latin American detective stories portray individualism and the state through the figures of the private eye and the police. Fabricio Tocco argues that these portrayals constitute a far more radical critique than the one developed by the Anglo-American canon, culminating in a transnational “poetics of failure” rooted in dissatisfaction with the neoliberal state.