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From the world's leading authority on Bob Dylan comes the definitive biography that promises to transform our understanding of the man and musician—thanks to early access to Dylan's never-before-studied archives. In 2016 Bob Dylan sold his personal archive to the George Kaiser Foundation in Tulsa, Oklahoma, reportedly for $22 million. As the boxes started to arrive, the Foundation asked Clinton Heylin—author of the acclaimed Bob Dylan: Behind the Shades and 'perhaps the world's authority on all things Dylan' (Rolling Stone)—to assess the material they had been given. What he found in Tulsa—as well as what he gleaned from other papers he had recently been given access to by Sony and t...
An absorbing account of the record industry's worst nightmare. In the summer of 1969, Great White Wonder, a collection of unreleased Bob Dylan recordings appeared in Los Angeles. It was the first rock bootleg and it spawned an entire industry dedicated to making unofficial recordings available to true fans. Bootleg! tells the whole fascinating saga, from its underground infancy through the CD 'protection gap' era, when its legal status threatened the major labels' monopoly, to the explosion of trading via Napster and Gnutella on MP-3 files. Clinton Heylin provides a highly readable account of the busts, the defeats and victories in court; the personalities – many interviewed for the first time for this book. This classic history has now been updated and revised to include today's digital era and the emergence of a whole new bootleg culture.
In 1991 Clinton Heylin published what was considered the most definitive biography of Bob Dylan available. In 2001 he completely revised and reworked this hugely acclaimed book, adding new sections, substantially reworking text, and bringing the story up-to-date with Dylan's explosive career in 2000. Bob Dylan: Behind the Shades Revisited follows the story of Dylan from his humble beginnings in Minnesota to his arrival in New York in 1961, his subsequent rise in the folk pantheon of Greenwich Village in the early '60s, and his cataclysmic folk-rock metamorphosis at the Newport Folk Festival in 1965. In the succeeding eighteen months, Dylan released Highway 61 Revisited and Blonde on Blonde, ...
Bob Dylan has always regarded himself as a songwriter: 'I am my words,' he wrote in 1964. Distilling a lifetime's passion and study, leading Dylan author, Clinton Heylin charts the development and first moments of genius of this unique artist whose songs changed the world. From his first attempts at writing, Song to Bridget, in 1957, (apparently for Brigitte Bardot) Bob Dylan always aspired to poetry, yet his role as a writer rather than a performer of his own songs is often overlooked. In over fifty years of creativity he had penned some of the most iconic, and perfect, songs in popular history. Arriving in New York in 1961, the city had an enormous impact on the young artist and, as he est...
Song publishing is the one constant in the carousel of recorded music now spanning the past century, and has been the way that song-credits and publishing revenue have caused ructions and recriminations, and inspired writers by making them poor and lawyers rich. Whether it be Procul Harum going to court to decide who really wrote ‘Whiter Shade of Pale’ or the Moody Blues wanting their fair share of ‘Nights of White Satin’, when the song-credits get divvied up, a parting of the ways citing ‘musical differences’ is almost inevitable. So here are some choice examples of poplore held up to the light,some familiar to music fans others not, designed to prove that Dylan knew of what he wrote when he suggested, ‘Money doesn’t talk, it swears’. Between them, they provide the unvarnished story of popular song from the days jukeboxes and radio replaced wax cylinders and piano rolls to the era of digital downloads, legal and illegal...
The first full accounting of the year Bob Dylan went electric and toured the world facing scorn and furious backlash. In 1966 Bob Dylan and The Hawks found themselves at the epicenter of a storm of controversy. Their response was to unleash a cavalcade of ferocity from Melbourne to Manchester. For the first time, the full story is told from eyewitness accounts and recorded documents. Clinton Heylin has contributed "historical notes" for the six-CD set Basement Tapes, released in 2014, and the thirty-six CD set The 1966 Live Recordings, released in 2016 by Sony Music.
The celebrated popular music scholar presents an intimate portrait of The Boss and his legendary band Bruce Springsteen fans know that the band makes the man, which is why millions of people have jammed stadiums and arenas to see The Boss play countless shows with his incredible E Street Band. In this revelatory and unapologetic biography, respected music scholar Clinton Heylin turns a critical eye towards Springsteen’s early days, capturing this classic phase of his career and his rise from Asbury Park hood rat to global rock star. Using long-buried archival recordings and bootlegs, Heylin expertly traces Springsteen’s creative process as a songwriter and performer and illuminates the roles of the E Street Band members in creating their distinctive sound. Highly nuanced and as fiery as Springsteen himself, E Street Shuffle offers the most revealing portrait yet written on this American icon.
Written as a literary detective story, 'Dylan's Daemon Lover' is about the ancient folk ballads, strewn with sex, betrayal and death, that Dylan described in 1997 as my lexicon and my prayer-book'. Written by an acclaimed Dylan expert and the author of 'Dylan Behind Closed Doors,' the book involves and embraces characters as diverse as Robert Graves, Sir Walter Scott, Robert Burns, and Scotland's legendary thirteenth century seer Thomas of Erceldoune (aka Thomas the Rhymer) in its analysis of traditional music and its influence on Dylan.'
This is the second volume in Clinton Heylin’s magisterial survey of the songs of Bob Dylan. The first volume - Revolution in the Air which is now available in paperback - charted the rise of Bob Dylan from his first jottings to the full expression of genius in songs such as ‘Hard Rain Gonna Fall’ and ‘The Times They Are a Changin’’. Still on the Road begins in 1974 with “Blood on the Tracks”, the album filled with masterworks such as ‘Tangled Up in Blue’ and ‘Simple Twist of Fate’ that heralded a watershed in Dylan’s creative journey, and continues to chart his never-ending fascination with music and the art of song up to 2006’s “Modern Times”. Praise for Revo...
Featuring bands such as the Ramones and Nirvana, this history of punk and grunge details the seminal bands of each movement, as well as looking at the political and social trends which helped to shape the music.