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Written in both English and French, The 9.5mm Vintage Film Encyclopaedia provides a single-volume, comprehensive catalogue of all known 9.5mm film releases, including: Films: Comprising 12,460 individual entries, this A-Z reference index provides the main listing for each film and its origin where known, along with additional information including cast and crew, and cross references to other relevant material. People: This index of all known actors and film crew, comprising over 12,000 names, provides a listing which is cross referenced to the main entry for each original film they worked on. Numbers: Pathé-Baby/Pathéscope and other distributors’ catalogue numbers, film length, release dates (where known) and the series in which the films were organised, are set out in detail. With a foreword from eminent film historian and filmmaker, Keith Brownlow, this extensively researched text explains the importance of the 9.5mm film, from its beginnings in the early 1920s to becoming synonymous with Home Cinema throughout Europe. Readers will also find a brief technical explanation on how 9.5mm films were produced, along with relevant images.
The book deals with the process of canonization of the Greek Torah; the use and abuse of the translation(s) of Aquila in Patristic and Rabbinic literature and the substitution of Aquila by Onkelos in Babylonian academies.
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Leonard Bernstein touched millions of lives as composer, conductor, teacher, and activist. He frequently visited homes around the world through the medium of television, particularly through his fifty-three award-winning Young People’s Concerts (1958-1972), which at their height were seen by nearly ten million in over forty countries. Originally designed for young viewers but equally attractive to eager adults, Bernstein’s brilliance as a teacher shined brightly in his televised presentations. And yet, despite the light touch of the “maestro,” the innocence of his audience, and the joyousness of each show’s topic, the turbulence of the times would peek through. In this first in-dep...
Studies on the Latin Talmud gathers the latest findings on the Latin translation of the Babylonian Talmud which was produced in Paris in the 1240s and eventually led to its condemnation by the Catholic Church in 1248. Prominent international scholars guide the reader through the historical circumstances of the translation, its methodology, the manuscript tradition and the intertextual relations with Latin and Hebrew sacred texts and commentaries (Latin and Hebrew Bible, Rashi, Church Fathers, Jewish and Christian commentators), thus giving unprecedented insight into this fundamental chapter of Christian-Jewish relations. Authors of the contributions are: Ulisse Cecini, Federico Dal Bo, Óscar de la Cruz Palma, Alexander Fidora, Ari Geiger, Annabel González, Görge Hasselhoff, Isaac Lampurlanés, Montse Leyra and Eulàlia Vernet.