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Pierre-Auguste Renoir was born in Limoges on 25 February 1841. In 1854, the boy’s parents took him from school and found a place for him in the Lévy brothers’ workshop, where he was to learn to paint porcelain. Renoir’s younger brother Edmond had this to say this about the move: “From what he drew in charcoal on the walls, they concluded that he had the ability for an artist’s profession. That was how our parents came to put him to learn the trade of porcelain painter.” One of the Lévys’ workers, Emile Laporte, painted in oils in his spare time. He suggested Renoir makes use of his canvases and paints. This offer resulted in the appearance of the first painting by the future ...
Born in the Industrial Revolution, the factory has long been considered like a monster of iron, subjugating the individual to the collective in an act of mass dehumanisation.Turning away from the pure functionality for which it was built, the factory is evolving into an aesthetic space, sometimes transformed into modern lofts or a museum of contemporary art. The surprising photographs featured in this work help us rediscover the volume, purity of line, beauty, and stunningly modern architecture of these steelboned monuments.
Mega Square Herbarium is based on the work of Basilius Besler, the famous plant expert who, for the first time in history, described, painted and engraved over a thousand species of plants. His drawings are of great scientific as well as artistic value, and offer vivid insights into Europe’s eclectic flora.
This book focuses the collective attention of psychotherapists, the legal community, social scientists, and ethicists on the moral, legal, and clinical problems of confidentiality in psychotherapeutic practice. By providing timely and important interdisciplinary contributions, the book opens the way to understanding, if not resolving, the conflicting interests and values at stake in the debate on confidentiality.
A symbol key and a description of materials introduce readers to origami before they dive into step-by-step instructions illustrated with full-color diagrams to create awesome animals from land and sea, including a frog, a rabbit, a seal, and a whale. A glossary helps readers learn new vocabulary, and a further reading section with books and websites encourages further exploration of the topic.
Whether you are an animal lover or a budding artist, who hasn’t wished to be able to draw animals? And if you happen to have a cat, who hasn’t wished to draw it in a funny pose or when it is placidly asleep? Whether you aim is to make sketches to wow your friends or for mere personal satisfaction, or even if you want to capture your cat in order to decorate with its portraits your walls, you will be able to do it with this complete book.
Paul Gauguin was first a sailor, then a successful stockbroker in Paris. In 1874 he began to paint at weekends as a Sunday painter. Nine years later, after a stock-market crash, he felt confident of his ability to earn a living for his family by painting and he resigned his position and took up the painter’s brush full time. Following the lead of Cézanne, Gauguin painted still-lifes from the very beginning of his artistic career. He even owned a still-life by Cézanne, which is shown in Gauguin’s painting Portrait of Marie Lagadu. The year 1891 was crucial for Gauguin. In that year he left France for Tahiti, where he stayed till 1893. This stay in Tahiti determined his future life and career, for in 1895, after a sojourn in France, he returned there for good. In Tahiti, Gauguin discovered primitive art, with its flat forms and violent colours, belonging to an untamed nature. With absolute sincerity, he transferred them onto his canvas. His paintings from then on reflected this style: a radical simplification of drawing; brilliant, pure, bright colours; an ornamental type composition; and a deliberate flatness of planes. Gauguin termed this style “synthetic symbolism”.
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Among the best-known ancient cities in our time, the capital of Greece contains much that is fascinating, including many archaeological treasures like the Acropolis and its temples. Athens remains a city both picturesque and dynamic. One third of the Greek population lives here, while its port, Piraeus, holds half of Greece's industry. So, once you have visited the city's temples, why not go round the flea markets or walk to the centre of the old town with its traders and traditional festivities? The return of the Olympic Games to their origins constitutes a major event for the town, providing the visitor with an opportunity to rediscover the beauty of its recently renovated sights.
Paul Gauguin was first a sailor, then a successful stockbroker in Paris. In 1874 he began to paint at weekends as a Sunday painter. Nine years later, after a stock-market crash, he felt confident of his ability to earn a living for his family by painting and he resigned his position and took up the painter’s brush full time. Following the lead of Cézanne, Gauguin painted still-lifes from the very beginning of his artistic career. He even owned a still-life by Cézanne, which is shown in Gauguin’s painting Portrait of Marie Lagadu. The year 1891 was crucial for Gauguin. In that year he left France for Tahiti, where he stayed till 1893. This stay in Tahiti determined his future life and career, for in 1895, after a sojourn in France, he returned there for good. In Tahiti, Gauguin discovered primitive art, with its flat forms and violent colours, belonging to an untamed nature. With absolute sincerity, he transferred them onto his canvas. His paintings from then on reflected this style: a radical simplification of drawing; brilliant, pure, bright colours; an ornamental type composition; and a deliberate flatness of planes. Gauguin termed this style “synthetic symbolism”.