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Christopher Marlowe
Christopher Marlowe (1564–1593) emerges in most accounts of his life by biographers and critics as a mysterious and sensational action figure, a hapless pawn of circumstance, or a pseudonymous cipher. Constance Brown Kuriyama's new biography reconstructs the eventful life of a radically innovative playwright who flourished briefly and died violently more than four hundred years ago, yet persists in the romantic imagination even today. Many discoveries about Marlowe's life have emerged over the past hundred years. The author here supplements these findings with new material, placing the dramatist and poet more precisely in his historical milieu. Kuriyama interprets Marlowe's acts of violenc...
Doctor Faustus
This volume in the "Revel Plays" series, offers reading editions, with modern spelling, of the 1604 and 1616 editions of Marlowe's play, arguing that the two cannot be conflated into one. Included are sources and commentary, literary criticism, style and staging/performance assessments.
Christopher Marlowe in Context
A contemporary of William Shakespeare and Ben Jonson, Christopher Marlowe was one of the most influential early modern dramatists, whose life and mysterious death have long been the subject of critical and popular speculation. This collection sets Marlowe's plays and poems in their historical context, exploring his world and his wider cultural influence. Chapters by leading international scholars discuss both his major and lesser-known works. Divided into three sections, 'Marlowe's works', 'Marlowe's world', and 'Marlowe's reception', the book ranges from Marlowe's relationship with his own audience through to adaptations of his plays for modern cinema. Other contexts for Marlowe include history and politics, religion and science. Discussions of Marlowe's critics and Marlowe's appeal today, in performance, literature and biography, show how and why his works continue to resonate; and a comprehensive further reading list provides helpful suggestions for those who want to find out more.
Tragedy and Trauma in the Plays of Christopher Marlowe
Contending that criticism of Marlowe’s plays has been limited by humanist conceptions of tragedy, this book engages with trauma theory, especially psychoanalytic trauma theory, to offer a fresh critical perspective within which to make sense of the tension in Marlowe’s plays between the tragic and the traumatic. The author argues that tragedies are trauma narratives, narratives of wounding; however, in Marlowe’s plays, a traumatic aesthetics disrupts the closure that tragedy seeks to enact. Martin’s fresh reading of Massacre at Paris, which is often dismissed by critics as a bad tragedy, presents the play as deliberately breaking the conventions of the tragic genre in order to enact a traumatic aesthetics that pulls its audience into one of the early modern period’s most notorious collective traumatic events, the massacre of French Huguenots in Paris in 1572. The chapters on Marlowe’s six other plays similarly argue that throughout Marlowe’s drama tragedy is held in tension with-and disrupted by-the aesthetics of trauma.
Christopher Marlowe the Craftsman
Contributions to this volume explore the idea of Marlowe as a working artist, in keeping with John Addington Symonds' characterization of him as a "sculptor-poet." Throughout the body of his work-including not only the poems and plays, but also his forays into translation and imitation-a distinguished company of established and emerging literary scholars traces how Marlowe conceives an idea, shapes and refines it, then remakes and remodels it, only to refashion it further in his writing process. These essays necessarily overlap with one another in the categories of lives, stage, and page, which signals their interdependent nature regarding questions of authorship, theater and performance his...
Refiguring Mimesis
"A wide-ranging collection by an exciting group of scholars, this is a timely and impressive contribution to a topic that, since Plato, has continued to perplex and stimulate philosophers and literary scholars alike."--Jacket.
The Irony of Identity
Engaging the theories of Heinz Kohut on the individual's struggle for "manliness" and personal wholeness, McAdam illustrates how two fundamental points of destabilization in Marlowe's life and work - his subversive treatment of Christian belief and his ambivalence toward his homosexuality - clarify the plays' interest in the struggle for self-authorization. The author posits a post-Freudian argument in favor of pre-Oedipal narcissistic pathology in Marlowe's plays, in contrast to Kuriyama's psychoanalytic study, Hammer or Anvil, which is Freudian in approach and concerned with Oedipal patterns.
Placing the Plays of Christopher Marlowe
Focusing upon Marlowe the playwright as opposed to Marlowe the man, the essays in this collection position the dramatist's plays within the dramaturgical, ethical, and sociopolitical matrices of his own era. The volume also examines some of the most heated controversies of the early modern period, such as the anti-theatrical debate, the relations between parents and children, Machiavaelli1s ideology, the legitimacy of sectarian violence, and the discourse of addiction. Some of the chapters also explore Marlowe's polysemous influence on the theater of his time and of later periods, but, most centrally, upon his more famous contemporary poet/playwright, William Shakespeare.
Broken Nuptials in Shakespeare's Plays
Providing a feminist interpretation of the plays that has been written, this work is aimed at feminists.
Shakespeare's Marlowe
Moving beyond traditional studies of sources and influence, Shakespeare's Marlowe analyzes the uncommonly powerful aesthetic bond between Christopher Marlowe and William Shakespeare. Not only does this study take into account recent ideas about intertextuality, but it also shows how the process of tracking Marlowe's influence itself prompts questions and reflections that illuminate the dramatists' connections. Further, after questioning the commonly held view of Marlowe and Shakespeare as rivals, the individual chapters suggest new possible interrelationships in the formation of Shakespeare's works. Such examination of Shakespeare's Marlovian inheritance enhances our understanding of the dra...
