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This book provides an overview of Iacobelli's work from around 1984 to 2006. It includes his monumental drawings of the '80s, 'Side One' and 'Paintings In Oils, 'New Thinking Is Rare', 'DP', which comments on Australia's refugee politics.
Australia's first female prime minister. The country's first female judge. The first woman to win the Archibald Prize for portraiture. Australia's first female chief diplomat. The nation's first female winemaker. These women were all trailblazers, but they have something else in common - every one of them was South Australian. And they are just a handful of the 100 remarkable women whose stories are told in this beautiful book, illustrated with hundreds of photographs. Written by historian Carolyn Collins and journalist Roy Eccleston, Trailblazers shines a light on the lives of these extraordinary women whose feats inspired their state, nation and, often enough, the world. Now they can inspire a whole new generation.
HORIZON: GREG JOHNS, SCULPTURES 1970-2002 traces the ideas and career of the Adelaide-based artist from his first commission in the late 1970s through to participation in recent exhibitions in New York and Bahrain. The story is told by noted Adelaide writer and art critic, John Neylon of the Art Gallery of South Australia. His text examines all aspects of the artist's development as a creator of large-scale public sculptures and explains the philosophy that has shaped the work. The reader is led through a rich array of ideas and images relating to the use of sculptural form as a language in which the works serve as metaphors for the human psyche and the natural/cosmic systems that define our world. A number of key sculptures are examined in detail - as are issues surrounding public art and its reception within the community. The processes of commissioning, creating and installing the sculptures are described along with intimate glimpses into the creation of each work as it proceeds from the artist's studio, to the engineering works where it is fabricated, and then on to its intended site.
This book includes some 200 complete entries from the award-winning Dictionary of Women Artists, as well as a selection of introductory essays from the main volume.
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Dick Watkins belongs to the generation of artists whose careers were launched at the high-flying end of American-based Abstraction. Almost immediately he faced up to the abrupt end of the Modern era. Culture was no longer to be framed by ‘progress’. In 1970, taking stock of the situation, he announced that he was a copyist, there being no such thing as a new creation in art, shaped as it was by visual languages. Nor did he intend to limit his curiosity about the relation of art to life by restricting himself to a ‘personal’ style. There followed a long and passionately adventurous exploration into many subjects and styles, during which Watkins was often the first to signal changes taking place in Western culture. The result is that for half a century he has been a major, if controversial figure in Australian art.
This volume explores aspects of popular music and culture from the twentieth century to the present day. It brings together contributions challenging or reassessing assumptions about how individual, subjective experience comes to terms with modernity. While the emphasis is on Australian case studies, the essays here raise larger questions, ranging from our disempowerment as consumers demanding instant gratification to our ambiguous status as observers of and participants in historical change. They examine the complex relationship between sound and visual media in the formation of various communities, and how this relates to daily lived experience.
Jeffrey Smart's vision, which has altered the way we see the technologies of change that impel us through the fabric of time, curiously searches for an elusive stillness that lies at the heart of it, and may be seen in Master of Stillness, and appreciated with a selection of many of his most important masterpieces.