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The Life and Work of James Bradley
The Life and Work of James Bradley: The New Foundations of 18th Century Astronomy is the first major work on the life and achievements of James Bradley for 190 years. This book offers a new perspective and new interpretations of previously published materials, together with various insights about recently researched sources. This book is a complete account of the life and work of Bradley as discerned from surviving documents of his working archive, as well as other documents and records. In addition, it offers a new interpretation of Bradley's work as an astronomer, not merely from his observations of Jupiter and Saturn and their satellites and annual aberration and the nutation of the Earth...
Bolognese Instrumental Music, 1660–1710
This book, the first of its kind, is a study of Bolognese instrumental music during the height of the city's musical activity in the late seventeenth century. The period marked by a rapid expansion of the cappella musicale of the principal city church, San Petronio, by the founding of the Accademia Filarmonica, and by increasingly lavish patronage of musical events witnessed the proliferation of repertory for instrumental ensembles. This music not only reveals crucial stages in the development of the sonata and concerto but also recalls the elaborate church rituals and the opulent public and private celebrations in which they figured prominently. Moreover, the late seventeenth century saw th...
Discovering Mars
A leading historian of astronomy and a leading planetary scientist who works at the forefront of space exploration provide a comprehensive history of the solar system's most alluring planet beyond Earth. William Sheehan and Jim Bell chronicle how ancient watchers of the skies attended to Mars's red color and baffling movements, how three and a half centuries of telescopic observations added vistas and controversies around possible seas and continents and canals, and how the current era of exploration by flyby, orbiter, lander, and rover spacecraft have conjured for us the reality of a world of towering shield volcanoes, vast canyons, ancient dry riverbeds--and even possible evidence of past life. A unique collaboration between two authors on the forefront of Mars explorations, past and future, Discovering Mars provides an ambitious, detailed, and evocative account of humanity's enduring fascination with the Red Planet.
Planetary, Lunar, and Solar Positions, 601 B.C. to A.D. 1, at Five-day and Ten-day Intervals
The need for these tables became pressing when hundreds of astronomical cuneiform tables in the British Museum became available for study, partly through the copies made in the 1880s and 1890s. All these texts originally came from some archive in Babylon which was discovered by Arabs in the middle of the 19th century. Most of the texts were written from about 330 B.C. to the first century A.D. Many of the texts are fragments of the original clay tables which have broken. In many cases, a fragment contains only parts of a few legible lines. Much of the information is of an astronomical character. It is evident that for investigations of these tablets the possibility of rapid scanning of accurately dated planetary positions is of primary importance.
Mission to Saturn
Saturn is back in the news! The Cassini/Huygens spacecraft, a joint venture by NASA and the European Space Agency, is on its way to Saturn, where it will arrive in July 2004. During 2005 it will explore beneath the clouds of Titan, Saturn's largest moon and potential home for extraterrestrial life. Written by an established space historian and experienced author, Mission To Saturn - Cassini and the Huygens Probe is an up-to-date and timely review of our knowledge of Saturn and its enigmatic moon, Titan, on which the Huygens probe will land to search for prebiotic chemistry or even life. It explains how the mission was planned, how it will operate and, as the spacecraft nears its target, puts into context the discoveries that are sure to follow from this once-in-a-lifetime mission.
The Roman Inquisition on the Stage of Italy, C. 1590-1640
Drawing on the Roman Inquisition's own records, diplomatic correspondence, local documents, newsletters, and other sources, Thomas F. Mayer provides an intricately detailed account of the ways the Inquisition operated to serve the papacy's long-standing political aims in Naples, Venice, and Florence between 1590 and 1640.
Planetary, Lunar, and Solar Positions
These tables cover the period from the mid-17th to the 19th cent. when astronomical ephemerides were evolving most rapidly. These tables resemble those previously pub. by the APS: Tuckerman's "Planetary, Lunar, and Solar Positions, 601 B.C. to A.D. 1" and "A.D. 2 to A.D. 1649" and Goldstine's "New and Full Moon, 1001 B.C. to A.D. 1651." The tables contain features consistent with the almanacs and ephemerides pub. in this period: planetary positions are computed for 12 hours U.T. (noon); and the Julian day number is given for new and full moons. An analytical essay examines the theoretical and computational developments in almanac-making in the period that bridges between Kepler and Laplace.
Bernini and the Birth of Baroque Portrait Sculpture
Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet—surprisingly—there has never before been a major exhibition of his sculpture in North America. Bernini and the Birth of Baroque Portrait Sculpture showcases portrait sculptures from all phases of the artist’s long career, from the very early Antonio Coppola of 1612 to Clement X of about 1676, one of his last completed works. Bernini’s portrait busts were masterpieces of technical virtuosity; at the same time, they revealed a new interest in psychological depth. Bernini’s ability to capture the essential character of his subjects was unmatched and had a profound influence on other leading sculptors of his day, such as Alessandro Algardi, Giuliano Finelli, and Francesco Mochi. Bernini and the Birth of Baroque Portrait Sculpture is a groundbreaking study that features drawings and paintings by Bernini and his contemporaries. Together they demonstrate not only the range, skill, and acuity of these masters of Baroque portraiture but also the interrelationship of the arts in seventeenth-century Rome.
