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A Murmuration of Starlings
A Murmuration of Starlings elegizes the martyrs of the civil rights movement, whose names are inscribed on the stone table of the Civil Rights Memorial in Montgomery, Alabama. Individually, Jake Adam York’s poems are elegies for individuals; collectively, they consider the violence of a racist culture and the determination to resist that racism. York follows Sun Ra, a Birmingham jazz musician whose response to racial violence was to secede from planet Earth, considers the testimony in the trial of J. W. Milam and Roy Bryant for the murder of Emmet Till in 1955, and recreates events of Selma, Alabama, in 1965. Throughout the collection, an invasion of starlings imagesthe racial hatred and b...
The River Where You Forgot My Name
Winner, Montana Book Award-Honor Book, 2019 The River Where You Forgot My Name travels between early 1800s Virginia and Missouri and present-day western Montana, a place where “bats sail the river of dark.” In their crosscutting, the poems in this collection reflect on American progress; technology, exploration, and environment; and the ever-changing landscape at the intersection of wilderness and civilization. Three of the book’s five sections follow poet Corrie Williamson’s experiences while living for five years in western Montana. The remaining sections are persona poems written in the voice of Julia Hancock Clark, wife of William Clark, who she married soon after he returned fro...
No Acute Distress
"A collection of prose poems and lineated poems that chronicle everyday frustrations, confusions, and joys connected mainly with motherhood and illness"--
Sympathetic Magic
Amy Fleury’s bewitching new collection of poems, Sympathetic Magic, unveils the everyday manifestations of sympathy as well as the connections wrought by “sympathetic magic”—that indelible tether that binds people, places, and objects across time and distance. Fleury’s lyrics journey across the landscapes of childhood and old age, body and spirit, past and future, exploring the boundless permutations of sympathy as it appears in the most surprising locations. Connections reveal themselves in the aggressive silence of the small town or the round penmanship of a loved one, and echo throughout the solitude and regeneration of the forest as well as the antiseptic air of the hospital. At the center of these travels lies the narrator, stretching her limbs from the heart of the heartland, her body a compass summoning us from all directions, emphasizing with tender simplicity that “we all live under the self-same moon, no matter the phase.”
All the Great Territories
Winner, Watherford Award for Best Books about Appalachia, 2020 In 2012 Matthew Wimberley took a two-month journey, traveling and living out of his car, during which time he had planned to spread his father’s ashes. By trip’s end, the ashes remained, but Wimberley had begun a conversation with his deceased father that is continued here in his debut collection. All the Great Territories is a book of elegies for a father as well as a confrontation with the hostile, yet beautiful landscape of southern Appalachia. In the wake of an estranged father’s death, the speaker confronts that loss while celebrating the geography of childhood and the connections formed between the living and the dead...
USA-1000
"This volume of poetry gives readers a bold and irreverent look at childhood, family, love, and loss through an examination of everyday things"--
View from True North
Winner, High Plains Book Award Poetry, 2019 Winner, George Bogin Memorial Award, 2019 Finalist, Julie Suk Award, 2018 In these edgy poems of witness, Sara Henning’s speaker serves as both conduit and curator of the destructive legacies of alcoholism and multigenerational closeting. Considering the impact of addiction and sexual repression in the family and on its individual members, Henning explores with deft compassion the psychological ramifications of traumas across multiple generations. With the starling as an unspoken trope for victims who later perpetuate the cycle of abuse, suffering and shame became forces dangerous enough to down airliners. The strands Henning weaves—violent rel...
In the Absence of Clocks
In the fascinating collection of poems, In the Absence of Clocks, poet Jacob Shores-Arguello takes readers on an illuminating voyage through Ukrainian life. Set during the turmoil of the 2004 Orange Revolution, when the country trembled in the wake of political corruption and public outrage, Shores-Arguello’s lyrics of a revolution provide a glimpse into a world at once foreign and familiar. Throughout the collection are the iconic images and myriad juxtapositions of Ukrainian life. wolves howling in the snow and bakers pounding early-morning loaves of bread; farmlands and cities alike rocked by political transformation; gypsies and protesters; opulent images of Byzantium and the concrete ghosts of Chernobyl—all meet here at the crossroads of East and West, democracy and communism, reality and mythology. As the narrator travels across the Ukraine, he does much more than cross the distances between Horlivka and Odessa or Kiev and the Black Sea. As the tides of change swirl around him, they mirror his own search for a cultural identity and history.
Salt Moon
Throughout Salt Moon, Noel Crook forges the kind of tragic vision Howard Nemerov described as the mark of our finest poets: drawing on myth and memory, Crook's fierce lyrics reveal a world that is at once "hopeless and beautiful . . . giving equal emphasis to both words." Rendered in unforgettable images, Salt Moon is that rare book which grows richer with each reading.
Unearth
“What if the end were as colorless as real / estate?” the speaker asks in Unearth. Poet Chad Davidson’s latest collection takes a hard look at our world as it collapses under numerous trials and tribulations. Fashioned mostly of elegiac poems, Unearth charts the way in which personal grief ripples out to meet and mirror larger systems of loss. The first section deals with local traumas and bereavements—the loss of pets, the disintegration of a friends’ marriage. These tragedies combine with more ominous, larger breakdowns in the second section until, in the final section, grief roils over into historical wickedness, institutionalized violence, and state-sanctioned wrath. Ultimately...
