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Art history became established as an academic discipline in the United States between 1865 and 1895, when courses were introduced not only at Yale, Princeton, and Harvard, but also at Vassar, Syracuse, Wellesley, Rockford Female Seminary, Radcliffe, and Bryn Mawr. The prominent early role of the women's colleges and smaller universities is just one of the areas investigated in this volume on the genesis and early development of art history in the United States. Other essays focus on single departments of art history, examining the early subjects and methods of American art history and the way in which its practitioners responded to and assimilated contemporary developments in other fields, p...
Dosso Dossi has long been considered one of Renaissance Italy's most intriguing artists. Although a wealth of documents chronicles his life, he remains, in many ways, an enigma, and his art continues to be as elusive as it is compelling. In Dosso's Fate, leading scholars from a wide range of disciplines examine the social, intellectual, and historical contexts of his art, focusing on the development of new genres of painting, questions of style and chronology, the influence of courtly culture, and the work of his collaborators, as well as his visual and literary sources and his painting technique. The result is an important and original contribution not only to literature on Dosso Dossi but also to the study of cultural history in early modern Italy.