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As the magazine of the Texas Exes, The Alcalde has united alumni and friends of The University of Texas at Austin for nearly 100 years. The Alcalde serves as an intellectual crossroads where UT's luminaries - artists, engineers, executives, musicians, attorneys, journalists, lawmakers, and professors among them - meet bimonthly to exchange ideas. Its pages also offer a place for Texas Exes to swap stories and share memories of Austin and their alma mater. The magazine's unique name is Spanish for "mayor" or "chief magistrate"; the nickname of the governor who signed UT into existence was "The Old Alcalde."
Born Caroline Louise Dudley, Mrs. Leslie Carter was destined to become one of America's principal turn-of-the century actresses. In 1889, a high profile divorce case labeled her an adulteress and sent her to the brink of poverty. With characteristic resilience, however, Mrs. Carter used infamy to her advantage. Retaining her married name as an act of revenge against her ex-husband, she approached David Belasco, one of the foremost playwright/directors of the day, and persuaded him to teach her the art of acting. So began one of theatre's most prolific partnerships. Not only did Belasco become Mrs. Carter's acting coach, he composed plays specifically as vehicles to showcase her particular ta...
Sing Your Best is a breakthrough voice training method built on the principles of athletic training and over 50 years of voice research and education. The Vocal Workout, which consists of seven essential exercises, takes only 20 minutes a day. These exercises will strengthen the muscles and ligaments in your singing voice, so you can sing easily and effortlessly with power and control. They will extend your pitch range, improve your pitch accuracy, eliminate register breaks and increase the fullness and richness of your tone. This book is for beginners to professionals---in all styles---who want a proven method of voice-building that will also preserve and prolong vocal health.
This expanded edition of Barbara Doscher's seminal vocal pedagogy work includes a new introduction by John Nix as well as a new appendix with reflections and practical insights from singing teachers. This classic text describes the anatomy and physiology of breathing and phonation and examines acoustics for an understanding of resonation.
It is 1912 and Grace Lampley has returned to St. Louis to work as a clerk in a real estate office. Ever wary of romance, she enjoys a single life in the city's parks, nickelodeons and dance halls. That is, until she meets Ray, who has come out from New York to manage a new theatre. She is captivated by his tenderness and sweetness and awed by the glamorous company he keeps, so she accepts his proposal of marriage. Grace's demons of self-doubt nearly destroy the marriage, but it survives a move to New York. Ray is promoted and Grace goes to work for theatre mogul, Jacob J. Shubert. Her world explodes with excitement and she gradually emerges to full awareness of her strength and identity. She also begins to recognize her hidden desires and to act on them. Grace and Ray blossom until war separates them. Will the war end soon enough'...
A composer and lyricist of enormous innovation and influence, Marc Blitzstein remains one of the most versatile and fascinating figures in the history of American music, his creative output running the gamut from films scores and Broadway operas to art songs and chamber pieces. A prominent leftist and social maverick, Blitzstein constantly pushed the boundaries of convention in mid-century America in both his work and his life. Award-winning music historian Howard Pollack's new biography covers Blitzstein's life in full, from his childhood in Philadelphia to his violent death in Martinique at age 58. The author describes how this student of contemporary luminaries Nadia Boulanger and Arnold ...
There is a paucity of material regarding how choral music specifically was performed in the 1800s. The Historically Informed Performance (HIP) movement has made remarkable advancements in choral music of the Renaissance, Baroque, and Classical periods, with modest forays into the music of Beethoven, Schubert, Mendelssohn, and other early nineteenth-century composers; however, there are no sources with a comprehensive examination of how choral music was performed. Using more than one-hundred musical examples, illustrations, tables, and photographs and relying on influential, contemporaneous sources, David Friddle details the performance practices of the time, including expressive devices such...