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Taboo
  • Language: en
  • Pages: 128

Taboo

  • Type: Magazine
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  • Published: 2006
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  • Publisher: Unknown

None

Taboo
  • Language: en
  • Pages: 130

Taboo

  • Type: Magazine
  • -
  • Published: 2006
  • -
  • Publisher: Unknown

None

Supporting Actors in Motion Pictures
  • Language: en
  • Pages: 369

Supporting Actors in Motion Pictures

Supporting Actors in Motion Pictures By: Dr. Roger L. Gordon Supporting Actors in Motion Pictures is a compilation of biographies of supporting actors that spans from the advent of sound through the present day. Supporting actors, known also as character actors, often play in roles that complement the lead with comedy, drama, or other means, and are the backbone of any good film, television program, or stage performance. This book contains over 300 biographies that highlight the careers of the many talented actors and actresses that have appeared on the big screen throughout the past 100 years.

Taboo
  • Language: en
  • Pages: 130

Taboo

  • Type: Magazine
  • -
  • Published: 2006
  • -
  • Publisher: Unknown

None

Motion Picture Almanac
  • Language: en
  • Pages: 1184

Motion Picture Almanac

  • Type: Book
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  • Published: 2007
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  • Publisher: Unknown

None

Filming Difference
  • Language: en
  • Pages: 391

Filming Difference

Addressing representation and identity in a variety of production styles and genres, including experimental film and documentary, independent and mainstream film, and television drama, Filming Difference poses fundamental questions about the ways in which the art and craft of filmmaking force creative people to confront stereotypes and examine their own identities while representing the complexities of their subjects. Selections range from C. A. Griffith's "Del Otro Lado: Border Crossings, Disappearing Souls, and Other Transgressions" and Celine Perreñas Shimizu's "Pain and Pleasure in the Flesh of Machiko Saito's Experimental Movies" to Christopher Bradley's "I Saw You Naked: 'Hard' Acting...

Taboo
  • Language: en
  • Pages: 128

Taboo

  • Type: Magazine
  • -
  • Published: 2006
  • -
  • Publisher: Unknown

None

Communication
  • Language: en
  • Pages: 296

Communication

Communication: A Critical/Cultural Introduction, Second Edition introduces communication, from intimate and interpersonal to the public and mediated, as cultural. Using contemporary critical theory, authors John T. Warren and Deanna L. Fassett focus on communication as advocacy—inherently influenced by culture, history and power. By situating communication concepts and theories within contemporary and engaging cultural scenes, the book is much more than a survey of ideas—it demonstrates the power of communication in our everyday lives.

The Adventures of Cinema Dave in the Florida Motion Picture World
  • Language: en
  • Pages: 654

The Adventures of Cinema Dave in the Florida Motion Picture World

The Adventures of Cinema Dave is a celebration of films from the turn of the recent century. Dave Montalbano, alias Cinema Dave, wrote over 500 film reviews and interviewed Hollywood Legends such as Fay Wray, Louise Fletcher, Dyan Cannon and new talent like Josh Hutcherson, Jane Lynch and Courtney Ford. With South Florida as his home base, Cinema Dave details his growing involvement with the Fort Lauderdale, Palm Beach and Delray Film Festivals, while covering local interest stories about individuals who contribute to the film culture. Featuring a fun introduction from Cindy Morgan, actress from Caddyshack and Tron fame, and an extensive appendix of Literary Cinema, The Adventures of Cinema Dave is a saga about one mans bibliomania and his pursuit of an entertaining story in the big cave known as cinema.

Crash Cinema
  • Language: en
  • Pages: 147

Crash Cinema

Crash Cinema: Representation in Film is a collection of essays that emerged from Crash Cinema an annual symposium that is an integral part of the Bradford Film Festival at the National Media Museum (UK). The symposium was created by academics and curators who share the common aim of promoting the importance of film both as an academic study and for critical public appreciation. Films can be enjoyed as entertainment, they can educate and inform and they can excite and disturb. Films are powerful pieces of culture. The films that we now ‘consume’ do more than simply amuse or horrify. Cinema not only thrills us but also communicates to us about ourselves and in the twentieth and twenty-firs...