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A captivating novel of manners that tells the story of a dark and disturbing period of British history, by a master storyteller. It is the summer of 1938 and Phyllis Forrester has returned to England after years abroad. Moving into her sister’s grand country house, she soon finds herself entangled in a new world of idealistic beliefs and seemingly innocent friendships. Fevered talk of another war infiltrates their small, privileged circle, giving way to a thrilling solution: the appointment of a great and charismatic new leader who will restore England to its former glory. At a party hosted by her new friends, Phyllis lets down her guard for a single moment, with devastating consequences. Years later, Phyllis, alone and embittered, recounts the dramatic events which led to her imprisonment and changed the course of her life forever. Powerful, poignant, and exquisitely observed, After the Party is an illuminating portrait of a dark period of British history which has yet to be fully acknowledged.
A TALE OF A TRAGEDY SEEPING THROUGH GENERATIONS, AND A FAMILY FRACTURED BY HISTORY AND DESIRE - available for pre-order now 'The characters in Bad Relations are so brilliantly real, so wonderfully compelling at their best, and at their worst, that I can't get them out of my head. A wonderful novel' Nina Stibbe 'A writer who seems able to peer directly into the human heart' John Preston On the battlefields of the Crimea, William Gale cradles the still-warm body of his brother. William's experience of war will bring about a change in him that will reverberate through his family over the next two centuries. In the 1970s, William's descendants invite Stephen, a distant relation, to stay in their...
A compelling biography of a family, and a portrait of an era.Each of the seven Garman sisters were strikingly beautiful, artistic and wild. Born around the turn of the nineteenth century, most of the siblings were to become involved in the radical literary and political circles of British life between the First and Second World Wars. Their morals were unconventional: bisexuality, unfaithfulness and illegitimate children were a matter of course. Nevertheless they were high-minded and intensely loyal.They were the last muses: women who were prepared to sideline their own talent, friendships, material comforts -- even their own children -- in order to beguile and inspire the men they loved.Cressida Connolly's family biography will focus on three sisters in particular: Kathleen Garman: The father's favourite who ran away to London to study music. There she was spotted by the American sculptor Jacob Epstein, who promptly fell in love with her. She was to remain his muse until his death. She had three children by Epstein, was shot in the shoulder by his first wife and at last became Lady Epstein in 1955.Mary Garman: Came to London with Kathleen and studied art at the Slade. She married p
When she grew up, Ruth would say that she could place the day that her mother had decided to go away. She didn't know the actual date, but she recalled the occasion: it was on the afternoon of a wet day, early in 1942, during a visit to the cinema. She thought she could even pinpoint the exact moment at which Iris had made up her mind to go, leaving her only child behind. Neither of them could have guessed then that they would never live together again.
In this collection of short stories, Connolly explores the life of children and young people who find themselves split in two, and examines familiar emotions--love, loss, jealously, loneliness--with a fresh eye. 17,500.
What if you could tell the truth about who you are, without risking losing the one you love? This is a book about love affairs and why we choose to have them; a book for anyone who has ever loved and wondered what it is all about.
In this “vivid…lovely and inviting” (The New York Times) coming-of-age memoir—the “best piece of nature writing since H Is for Hawk” (Neil Gaiman)—a young man saves a baby magpie as his estranged father is dying, only to find that caring for the bird saves him. This is a story of two men who could talk to birds—but were completely incapable of talking to each other. A father who fled from his family in the dead of night, and the jackdaw he raised like a child. A son obsessed with his absence—and the young magpie that fell into his path and refused to fly away. This is a story about the crow family and human family; about repetition across generations and birds that run in the blood; about a terror of repeating the sins of the father and a desire to build a nest of one’s own.
'Among the hottest books of this blazing summer' (Daily Telegraph): a bold, lushly written novel that will compel and disquiet in equal measure A BOOK OF THE YEAR 2018 - CHOSEN BY THE OBSERVER, NEW STATESMAN AND SPECTATOR It is the 1970s and Ralph, an up-and-coming composer, is visiting Edmund Greenslay at his riverside home in Putney to discuss a collaboration. Through the house's colourful rooms and unruly garden flits nine-year-old Daphne – dark, teasing, slippery as mercury, more sprite than boy or girl. From the moment their worlds collide, Ralph is consumed by an obsession to make Daphne his. But Ralph is twenty-five and Daphne is only a child, and even in the bohemian abandon of 1970s London their fast-burgeoning relationship must be kept a secret. It is not until years later that Daphne is forced to confront the truth of her own childhood – and an act of violence that has lain hidden for decades. Putney is a bold, thought-provoking novel about the moral lines we tread, the stories we tell ourselves and the memories that play themselves out again and again, like snatches of song.
For 20 years Shere Hite has been conducting ground-breaking research into the personal lives of women and men. From her conclusions she has formulated philosophical guidelines which have initiated and enlightened debates about sexuality, love, marriage, autonomy, friendships between women, male psychology, the family and our very culture in a time of radical change.P PFrom the first Hite Report which presented a new theory of female sexuality - one defined by women themselves and not imposed by the vagaries of Freud, patriarchy or Masters and Johnson - to her celebrated psychosexual investigations of men and her latest analysis of the emotions surrounding love as women describe them, Shere Hite is consistently challenging. She takes the pulse of iniduals, astonishing amounts of them, and on the basis of wide-ranging research formulates her theories.;This book shows the impact of her work over two decades and, at the same time, takes us to the cutting edge of the current debate on sexual politics in our culture. P