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New Essays on The Awakening
When The Awakening was first published in 1899 it was an extraordinarily controversial book. One of the first American novels to concern itself with themes of adultery and divorce, it was widely attacked as 'vulgar' and 'unhealthy'. In her introduction to this collection, Wendy Martin discusses the historical background of the novel and analyses the heroine's evolution from a role of traditional femininity to one of autonomous individualism. The essays that follow explore other central themes of the novel, as well as locating Chopin in the tradition of American women novelists and discussing her status as a pre-modernist writer.
Accidental Orientalists
This is the first monograph in English to address Orientalism in the writings of Italian travellers in the nineteenth and early twentieth centuries, and to do against a backdrop of comparative reference to works in English and French that preceded or were contemporary to them.
Portraying the Lady
From Daisy Miller to Isabel Archer to Maisie, female characters dominate the work of Henry James and, often, critical discussion of James's work. Donatella Izzo shifts that discussion to a different, more revealing, plane in this original interpretation of James's short fiction. By redirecting criticism from a biographical emphasis to a focus on James's engagement with the issues of representation, Izzo shows how these short stories actually question and investigate the cultural and ideological practices that produced women, both in literature and in society.øPortraying the Lady brings to light the experimental quality and inherent consistency of stories that have received little critical a...
Accessorizing the Body
What the smallest detail of dress reveals about gender, sexuality, race, politics, and aesthetics.
German Literature, Jewish Critics
Among the Jewish academics and intellectuals expelled from Germany and Austria during the Nazi era were many specialists in German literature. Strangely, their impact on the practice of Germanistik in the United States, England, and Canada has been given little attention. Who were they? Did their vision of German literature and culture differ significantly from that of those who remained in their former homeland? What problems did they face in the American and British academic settings? Above all, how did they help shape German studies in the postwar era? This unique and important symposium, which convened at Brandeis University under the auspices of the its Center for German and European St...
The Shock of America
An ambitious, original book describing a century of Europe coping with America: its inventions, personalities, films, armies, business, and politics. These decades reveal how much emotional energy Europeans invested in finding their own ways to reconcile tradition and modernity under the pressure of the ever-evolving American challenge.
Recovery and Transgression
There is no poetry without memory. Recovery and Transgression: Memory in American Poetry is devoted to the ways in which poetic texts shape, and are shaped by, personal, collective, and cultural memory. It looks at the manifold and often transgressive techniques through which the past is recovered and repurposed in poetry. T.S. Eliot’s “The Waste Land,” Susan Howe’s THIS THAT, Lyn Hejinian’s Writing Is an Aid to Memory, John Tranter’s “The Anaglyph,” Amiri Baraka’s “Somebody Blew Up America,” and Amy Clampitt’s “Nothing Stays Put” are only some of the texts discussed in this volume by a group of international poetry experts. They specifically focus on the effects of the cultural interaction, mixture, translation, and hybridization of memory of, in, and mediated by poetry. Poetic memory, as becomes strikingly clear, may be founded on the past, but has everything to do with the cultural present of poets and readers, and with their hopes and fears for the future.
Atlantic Citizens
By looking beyond the page and into the extraordinary lives of Walt Whitman, Henry Wadsworth Longfellow, Grace Greenwood, Ralph Waldo Emerson, Margaret Fuller and Frederick Douglass, this book uncovers their startling contributions to transatlantic culture and makes the argument that literature is dependent upon other modes of professional creativity in order to thrive. Leslie Elizabeth Eckel shows how these six figures shaped their careers in the fields of education, journalism, public lecturing and editing in productive relation to their development as imaginative writers. To see Walt Whitman co-producing foreign editions of his work with British poets while exuberantly breaking free from verse strictures on the page, or to witness Margaret Fuller reporting from the battle ground in revolutionary Rome as well as writing her country's first feminist treatise is to comprehend more deeply the ways in which these writers acted in the transatlantic sphere. By practicing Atlantic citizenship, they were able to achieve critical distance from the United States and, paradoxically, to catalyse its ongoing growth.
The Seeming and the Seen
Taking their cue from the polymorphous relationship between word and image, the essays of this book explore how different media translate the world of phenomena into aesthetic, intellectual or sensual experience. They embrace the media of poetry, fiction, drama, engraving, painting, photography, film and advertising posters ranging from the early modern to the postmodern periods. At the heart of the volume lie essays on works that characteristically perform intriguing interactions between the verbal and visual modes. They discuss the manifold ways in which artists as different as William Blake or Gertrude Stein, Diane Arbus or Stanley Kubrick heighten the tension between the linguistic and the seen. Taken both individually and collectively, this volume's contributions illuminate the problematics of how readers and spectators/lookers transform verbal and visual representation into worlds of seeming.
