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Inside the Church of Flannery O'Connor
Concerning the debate of classifying O'Connor as a religious writer, this book features essays by some of the leading scholars who have advanced the codification of O'Connor as a writer preoccupied with religious, and especially Catholic, themes.
Ritual Performance in the Fiction of Flannery O'Connor
"The study begins with an exploration of O'Connor's Southern milieu, a survey of relevant scholarship (particularly feminist theory), and a clarification of essential terms and concepts surrounding ritual. The remaining chapters are then dedicated to the six short stories, each of which depicts certain ritual patterns and archetypal models. In this way, the study furnishes a prototype that can be applied to O'Connor's entire oeuvre." "Ritual Performance in the Fiction of Flannery O'Connor is an excellent resource for teachers and students of American literature, Southern Studies, feminist theory, and ritual studies. Because it is story-centered rather than theory-driven, it will appeal to those who are looking for ways to read (and teach) O'Connor's astonishing stories more deeply."--BOOK JACKET.
Approaches to Teaching the Works of Flannery O'Connor
Known for her violent, startling stories that culminate in moments of grace, Flannery O'Connor depicted the postwar segregated South from a unique perspective. This volume proposes strategies for introducing students to her Roman Catholic aesthetic, which draws on concepts such as incarnation and original sin, and offers alternative contexts for reading her work. Part 1, "Materials," describes resources that provide a grounding in O'Connor's work and life. The essays in part 2, "Approaches," discuss her beliefs about writing and her distinctive approach to fiction and religion; introduce fresh perspectives, including those of race, class, gender, and interdisciplinary approaches; highlight her craft as a creative writer; and suggest pairings of her works with other texts. Alice Walker's short story "Convergence" is included as an appendix.
Wise Blood
Wise Blood: A Re-Consideration is a collection of nineteen new essays on Flannery O’Connor’s 1952 novel about the spiritual journey of a young man raised in a fundamentalist Christian family. Following the pattern of previous books in the Dialogue series, it offers analyses by established and emerging scholars in North America. The volume comprises five sections: Religious and Philosophical Thought; Comedy, Humor, and Animality in Wise Blood; Influences on Wise Blood; Structural Issues; and Gender, Culture, and Genre. An intensely religious novel by a Catholic author, Wise Blood continues to draw keen attention from literary scholars, theologians, preachers, and lay readers. This volume encompasses many new critical perspectives that will encourage greater insights, deeper understandings, and further investigations of the complexities of O’Connor’s modern classic set in the Deep South.
The Incarnational Art of Flannery O'Connor
The Incarnational Art of Flannery O'Connor argues that O'Connor designed a unique asthetic to defy the Gnostic dualisms that characterize American intellectual and spiritual life. Focusing on stories with artist figures, objets d'art, child protagonists, and embodied images, Lake describes how O'Connor's fiction actively resisted romantic theories of the imagination and religious life by highlighting the epistemological necessity of the body. Ultimately O'Connor challenges the romantic and modern notion of the artist as a fire-stealing Prometheus and replaces it with a notion of the artist as a locally committed craftsman. Drawing upon M. M. Bakhtin's early essays in Art and Answerability an...
The Critical Reception of Flannery O'Connor, 1952-2017
The first chronological overview of O'Connor criticism from the publication of her first novel, Wise Blood, in 1952 to the present.
Flannery O'Connor and Teilhard de Chardin
Flannery O'Connor, the renowned short-story writer, lived and fought a tumultuous battle with lupus erythematosus most of her adult life. In her last five years, she sought insightful and helpful sources to alleviate her struggle with the disease. Among these sources were the ideas and thoughts of a Jesuit-paleontologist-mystic by the name of Pierre Teilhard de Chardin, an individual who opened doors of witness to the secular world and attracted suspicious questioning from his Catholic superiors. Like a moth drawn to a flame, Flannery O'Connor, a devoted Thomist, increasingly admired the ideas of Teilhard de Chardin to the point that she incorporated his ideas into her last six short stories in the collection Everything That Rises Must Converge. This book adds significantly to the neglected study of Teilhard de Chardin's influence in the later literary development of Flannery O'Connor. This book would be a valuable asset to students and scholars focusing on American literature, Southern literature, twentieth-century Southern female writers, and Flannery O'Connor.
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