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This study breaks with traditional readings in terms of tragic model and tragic hero in the works of Racine and Corneille. It departs from the critical tradition of examining the tragic hero as an isolated figure, defined by autonomy; it approaches the behaviour of Médée, Clytemnestre, and Phèdre from a relational perspective. It argues that these female characters belong to the tragic hero category, hold valid and valuable ethical positions and deserve to be treated as equal to their male counterparts. It also redefines the way we look at the tragic dynamic. The characters are no longer antagonists but inadvertent collaborators working towards the tragic outcome in order to satisfy desires and beliefs about themselves and the world that are deeply rooted in their psyche. This book shows that alternative interpretations of the behaviour of Médée, Clytemnestre and Phèdre can be obtained and must be obtained by applying modern methodologies in order to challenge the biased readings from the past and to see these characters in a new light.
"In this highly original and inspired book, Espiritu bursts the binaries and shows us how the tensions of race, gender, nation, and colonial legacies situate contemporary transnationalism. Conceptually rich and empirically grounded, Home Bound blurs the borders of sociology and cultural studies like no other book I know. Kudos to Espiritu for this boundary-breaking tour de force!"—Pierrette Hondagneu-Sotelo, author of Domestica: Cleaning and Caring in the Shadows of Affluence "A singular achievement. Not only does it cast light on the deep historical entanglements of immigration and imperialism, citizenship and race, and gender and subjectivity in the United States, but by highlighting the...
"Noteworthy Francophone women directors : a sequel is a comprehensive guide that acts as both a teaching tool and a directory for research. The book begins by following films released after the publication of Pallister and Hottell's last volume, Francophone women film directors, in 2005, and stops after the Cannes film festival in 2010."--Book cover.
How does one capture the delightful irony of Edith Wharton's prose or the spare lyricism of Kate Chopin's? Kathleen Wheeler challenges the reader to experiment with a more imaginative method of literary criticism in order to comprehend more fully writers of the Modernist and late Realist period. In examining the creative works of seven women writers from the late nineteenth and early twentieth centuries, Wheeler never lets the mystery and magic of literature be overcome by dry critical analysis. Modernist Women Writers and Narrative Art begins by evaluating how Edith Wharton, Kate Chopin, and Willa Cather all engaged in an ironic critique of realism. They explored the inadequacies of this form in expressing human experience and revealed its hidden, often contradictory, assumptions. Building on the foundation that Wharton, Chopin, and Cather established, Jean Rhys, Katherine Mansfield, Stevie Smith, and Jane Bowles brought literature into the era we now consider modernism. Drawing on insights from feminist theory, deconstructionism and revisions of new historicism, Kathleen Wheeler reveals a literary tradition rich in narrative strategy and stylistic sophistication.
Includes a new section on recent critical interpretations, stage productions and films of the play, as well as fresh illustrations.
THE NARWHAL MCQ (MULTIPLE CHOICE QUESTIONS) SERVES AS A VALUABLE RESOURCE FOR INDIVIDUALS AIMING TO DEEPEN THEIR UNDERSTANDING OF VARIOUS COMPETITIVE EXAMS, CLASS TESTS, QUIZ COMPETITIONS, AND SIMILAR ASSESSMENTS. WITH ITS EXTENSIVE COLLECTION OF MCQS, THIS BOOK EMPOWERS YOU TO ASSESS YOUR GRASP OF THE SUBJECT MATTER AND YOUR PROFICIENCY LEVEL. BY ENGAGING WITH THESE MULTIPLE-CHOICE QUESTIONS, YOU CAN IMPROVE YOUR KNOWLEDGE OF THE SUBJECT, IDENTIFY AREAS FOR IMPROVEMENT, AND LAY A SOLID FOUNDATION. DIVE INTO THE NARWHAL MCQ TO EXPAND YOUR NARWHAL KNOWLEDGE AND EXCEL IN QUIZ COMPETITIONS, ACADEMIC STUDIES, OR PROFESSIONAL ENDEAVORS. THE ANSWERS TO THE QUESTIONS ARE PROVIDED AT THE END OF EACH PAGE, MAKING IT EASY FOR PARTICIPANTS TO VERIFY THEIR ANSWERS AND PREPARE EFFECTIVELY.
Born roughly between 1964 and 1980, Generation X has received much less critical attention than the two generations that precede and follow it: the Baby Boomers and Millennials. This essay collection examines representations of Generation X in contemporary popular culture, including in television, movies, music, and internet sources. Drawing on generational theory, cultural studies theory, race theory, and feminist theory, the essays in this volume consider the past identities of Generation X, relationships with members of younger generations, modern appropriation of Generation X aesthetics, interactions of Generation X members with family, and the existential values of Generation X.
A lighthearted story of one woman’s experiences on being a delivery driver. Mary, a wife, and mother of two, recounts her experiences as an independent delivery driver. She juggles her everyday Life while bringing a smile to those she meets and making her personal quota as a Dasher. Her family struggles during the COVID pandemic, but prevails through perseverance and faith, like many other families did during tough times. Jobs were scarce, and homelessness abound but people found a way to make ends meet; some did by becoming delivery drivers. There are Pros and Cons to the job, but Mary makes it work. Category: 18 & over
The latest collection of plays by one of Europe's most important playwrights. THE CRIME OF THE TWENTY-FIRST CENTURY: The past has been abolished and geography - even the sky - is changed. A woman lives in a vast desert of white rubble. A tiny group of people comes seeking a hiding place - and is exposed to the deepest questions of human existence. OLLY'S PRISON: an ordinary city flat. Evening. A man tries to talk to his daughter. She will not answer. Slowly their world turns to tragedy and a search begins that lasts for years. COFFEE: A young man alone in a room. A stranger enters. Together they journey into a dark forest...When the men return to the daylight world, they are involved in a trivial incident. It is hardly more than a gesture - yet it is something that once happened and in its triviality captures the history of our century and confronts us with the deepest questions about ourselves. "A great playwright - many, particularly in continental Europe, would say the greatest living English playwright." Independent "A play by one of Britain's greatest playwrights is an event." TES