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For forty-three years, Francis I of Austria ruled a vast heterogenous Empire that came to dominate the continent of Europe. Ascending Charlemagne’s thousand-year throne of the Holy Roman Empire at the age of twenty-four on the unexpected death of his father, this scion of the ancient Habsburg dynasty became the first Emperor of Austria and for two years, the only Double Emperor in history. Both the father in law of Napoleon Bonaparte and his chief rival for dominance of the continent of Europe, Francis eventually led a coalition of nations to Paris in 1814 and sent Napoleon into exile. The exiled Napoleon’s only son and heir lived with his grandfather thereafter in Vienna until his tragi...
It has been said that never has a monarch so narrowly missed "greatness" as did the Holy Roman Emperor Joseph II. An idealistic, sincere, and hardworking monarch whose ultilitarian bent, humanitarian instincts, and ambitious programs of reform in every area of public concern have prompted historians to term him an "enlightened despot," "revolutionary Emperor," "philosopher on a throne," and a ruler ahead of his time, Joseph has also been condemned for being insensitive to the phobias and follies of his subjects, essentially unrealistic, almost utopian, in establishing his goals, and dogmatic and overly precipitous in trying to achieve them. Efforts to analyze and explain the actions of this ...
The study of two nineteenth-century priests who tried to transform their church through a new formulations of ancient Truth. Systematic theologian Anton Gunther challenged the pantheistic idealism dominant in the German intellectual world of his day, and Johann Emanuel Veith found in Gunther's system of contrapositional dualism the basis of his theological expression.
Before skyscrapers forever transformed the landscape of the modern metropolis, the conveyance that made them possible had to be created. Invented in New York in the 1850s, the elevator became an urban fact of life on both sides of the Atlantic by the early twentieth century. While it may at first glance seem a modest innovation, it had wide-ranging effects, from fundamentally restructuring building design to reinforcing social class hierarchies by moving luxury apartments to upper levels, previously the domain of the lower classes. The cramped elevator cabin itself served as a reflection of life in modern growing cities, as a space of simultaneous intimacy and anonymity, constantly in motion...
First Published in 1987. This study presents the background for the sacred musical patronage at the court, with specific reference to the polyphonic settings of the Mass Ordinary - during the reign of Holy Roman Emperor Rudolf II (1576-1612). One function of the present work is to collect the various relevant data concerning the chapel and the Mass, and to demonstrate basic relationships at the court. This study approaches the chapel of Rudolf II through archival research, musical sources, and comparing the compositional process of its composers. The goal is a better understanding of the sacred musical practice at the chapel.
The canonical inventors of International Style have long dominated studies of modern European architecture. But in this text, Anthony Alofsin broadens this scope by exploring the rich yet overlooked architecture of the late Austro-Hungarian Empire and its successor states.
I would like to express my gratitude to the Graduate Center of the City University of New York for having received a summer grant for research in Austria. I want to thank Dr. Franz Graf Meran for permitting me to use Archduke Johann's diaries and letters in the Steiermarkisches Landesarchiv, Graz, as well as Dr. Walter Puschnigg and the other gentlemen of that archive for their kind assistance. I am also extremely grateful for the patient, friendly and unsparing helpfulness and advice from the ladies and gentlemen of the Haus-, Hof-und Staatsarchiv in Vienna. In particular I would like to thank w. Amtsrat Anton Nemeth for his aid in deciphering and transcribing numerous documents. Finally, I am most grateful for the counsel, help and encouragement by Prof. Andrew Whiteside of Queens College and City University of New York, and for the many valuable suggestions made by Profs. Robert A. Kann of Rutgers University, Paula S. Fichtner and Bela K. Kiraly, both of Brooklyn College.
A Companion to Music at the Habsburgs Courts in the Sixteenth and Seventeenth Centuries, edited by Andrew H. Weaver, is the first in-depth survey of Habsburg musical patronage over a broad timeframe. Bringing together existing research and drawing upon primary sources, the authors, all established experts, provide overviews of the musical institutions, the functions of music, the styles and genres cultivated, and the historical, political, and cultural contexts for music at the Habsburg courts. The wide geographical scope includes the imperial courts in Vienna and Prague, the royal court in Madrid, the archducal courts in Graz and Innsbruck, and others. This broad view of Habsburg musical activities affirms the dynasty’s unique position in the cultural life of early modern Europe. Contributors are Lawrence Bennett, Charles E. Brewer, Drew Edward Davies, Paula Sutter Fichtner, Alexander J. Fisher, Christine Getz, Beth L. Glixon, Jeffrey Kurtzman, Virginia Christy Lamothe, Honey Meconi, Sara Pecknold, Jonas Pfohl, Pablo L. Rodríguez, Steven Saunders, Herbert Seifert, Louise K. Stein, and Andrew H. Weaver.