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The second edition of The Urban Design Reader draws together the very best of classic and contemporary writings to illuminate and expand the theory and practice of urban design. Nearly 50 generous selections include seminal contributions from Howard, Le Corbusier, Lynch, and Jacobs to more recent writings by Waldheim, Koolhaas, and Sorkin. Following the widespread success of the first edition of The Urban Design Reader, this updated edition continues to provide the most important historical material of the urban design field, but also introduces new topics and selections that address the myriad challenges facing designers today. The six part structure of the second edition guides the reader ...
Emerging from the world of commercial art and product styling, design has now become completely integrated into human life. Its marks are all around us, from the chairs we sit on to the Web sites on our computer screens. One of the pioneers of design studies and still one of its most distinguished practitioners, Victor Margolin here offers a timely meditation on design and its study at the turn of the millennium and charts new directions for the future development of both fields. Divided into sections on the practice and study of design, the essays in The Politics of the Artificial cover such topics as design history, design research, design as a political tool, sustainable design, and the p...
Paul Tuttle Designssurveys Tuttle's 50-year career, primarily as a furniture designer, showcasing more than 60 examples of seating and tables, and highlighting five homes he designed in Santa Barbara early in his career. Paul Tuttle's (1918-2002) impressive oeuvre is noted for its combination of gorgeous woods with materials such as steel, glass, cane, and upholstery. Regardless of how aesthetically beautiful or freshly inventive his creations are, they were always intended to be functional uttle stands out among mid-to-late twentieth-century designers in his avoidance of trends or styles and his commitment to solving design problems in an original way. Working within a modernist tradition, Tuttle's work is distinguished by an elegance of line, purity of materials, fascination with structure, and delight in small details. Although crafted with precision and taste, his furniture often exudes a distinctive quirky playfulness that reflects the designer's belief that a sense of fun should be part of a work's purpose.
In v.1-8 the final number consists of the Commencement annual.
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