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Ronald McGivney spent 20 years serving as a Police Officer and Detective. He began his career as a healthy, cocky, young recruit, but finished it as an ill, nearly broken in spirit, bitter man. The result of countless encounters with high stress, misery, and human suffering. PTSD, Post Traumatic Stress Disorder, is a chronic condition that robbed him of his mental and physical health. He was diagnosed in 1996, but not told he had it until 2007. He refused treatment. By 2013, he was in bad shape. When he could sleep, he was sleeping on a couch with a loaded gun next to his locked door. Nightmares kept him awake most of the time. He started a treatment program, but checked out after week eight. Unprompted, he decided to write his stories down. The nightmares receded. These are those stories “Straightforward and gripping with a distinctive voice.” “Compelling and brutally honest” “Disturbing at times.”
"All beginnings are difficult" is an old saying, and this is true as well from my review of this book. I am reminded of the story where an elderly woman says to her surgeon, "Doctor, I am so afraid as this is my first operation." The doctor winks and says, "Don't worry it will be my first operation as well!" So you and I have this book in front of us as the surgery and the work of my young friend and former student IM Armin Juhász is the surgeon. I remember vividly the founding of Géza Maróczy Chess School in Budapest in 2006. The School was especially successful during its first years. Following the examples of such outstanding Hungarian players as László Szabó, Gedeon Barcza or Géza...
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Recent American Art Song: A Guide is a reference source devoted to songs with English texts by American composers, written for solo voice and piano. The book focuses exclusively on art song since 1980, a substantial period largely ignored by scholars. This is the first study to examine this repertory in detail, and many of the songs and composers are discussed in print for the first time. Keith E. Clifton has examined approximately 1000 songs by nearly 200 composers. Many songs employ musical idioms well beyond traditional classical styles, including references to jazz, musical theater, rap, and rock & roll, and several songs blur the boundaries between recital and stage works. Organized alphabetically by composer, entries contain complete biographical and bibliographical information, with major works and links to print resources and composer websites when available. In addition, Clifton provides detailed information on the vocal range, musical style, and appropriate voice type for individual songs. The book concludes with a full discography and bibliography, as well as indexes listing the works by poet, song cycle, title, voice type, and level of difficulty.
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