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Yellowman
These two raucously acclaimed new plays by Dael Orlandersmith, whom The New York Times has called "an otherworldly messenger, perhaps the sorcerer's apprentice, or a heaven-sent angel with the devil in her," confirm her reputation as one of the truly unique voices in contemporary American drama. In Yellowman, a finalist for the 2002 Pulitzer Prize in Drama, Alma and Eugene have known each other since they were young children. As their friendship blossoms into love, Alma struggles to free herself from her mother's poverty and alcoholism, while Eugene must contend with the legacy of being "yellow"—lighter-skinned than his brutal and unforgiving father. In My Red Hand, My Black Hand, a young woman explores her heritage as the child of a blues-loving Native American man and a black sharecropper's daughter from Virginia. Alternately joyous and harrowing, both plays are powerful examinations of the racial tensions that fracture communities and individual lives.
Until the Flood
Missouri, 2014. Michael Brown, a black teenager, is shot and killed by Darren Wilson, a white police officer. In this gripping and revelatory drama based on interviews from the aftermath of the shooting, Dael Orlandersmith journeys into the heart and soul of modern-day America – confronting the powerful forces of history, race and politics, and embodying the many faces of a community rallying for justice, and a country still yearning for change.
Until the Flood
“Until the Flood is an urgent moral inquest.” —Jesse Green, New York Times In the gripping and revelatory Until the Flood, Dael Orlandersmith journeys into the heart and soul of modern-day America—confronting the powerful forces of history, race, and politics. Drawn from interviews following the shooting of a black teenager, Michael Brown, by a white police officer, Darren Wilson, Orlandersmith embodies the many faces of a community rallying for justice and a country still yearning for change.
The Gimmick
Monster -- A violent family history passes from one generation to the next. The narrator, a young woman, uses stories, poetry and characters to introduce and juxtapose situations. Through her powerful eyes we witness violence, friendship, alienation, family love and loyalty.
Forever
THE STORY: Inspired by her experiences in Paris at the famed Père Lachaise Cemetery—the final resting place of such legendary artists as Richard Wright and Jim Morrison—award-winning playwright/performer Dael Orlandersmith explores the strange way we form powerful bonds with people who, though unrelated to us by blood, come to feel like family. Observing strangers from around the world making pilgrimages to their favorite artist’s grave, Orlandersmith investigates the complex legacy she received from her mother—a legacy of bitterness, abuse, and frustration, but also of poetry, music, and art.
Stoop Stories
THE STORY: Dael Orlandersmith, combines theatre, poetry and music in a powerful, sizzling, fierce symphony of the diverse voices that make up her neighborhood--people drawn from both her life and her imagination. She introduces us to a range of char
Horsedreams
THE STORY: HORSEDREAMS explores the breakdown of the family unit as a result of addiction. After his wife, Desiree, dies of an accidental overdose, Loman faces the harsh reality of raising their son, Luka, alone.
Embodying Black Experience
the highly predictable and anticipated arrival of racial violence within a person's lifetime --
The Gimmick
THE STORY: BEAUTY'S DAUGHTER. One woman's journey with many obstacles stacked against her. The heroine or anti-heroine can choose to be a victim of the violent cards life has dealt her or she can use her poetry and music as a creative means to de
Troubling Vision
Nicole R. Fleetwood explores how blackness is seen as a troubling presence in the field of vision and the black body is persistently seen as a problem. She examines a wide range of materials from visual and media art, documentary photography theatre, performance and more.
