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"Cosimo de'Medici (1389-1464), the fabulously wealthy banker who became the leading citizen of Florence in the fifteenth century, spent lavishly as the city's most important patron of art and literature. This book is the first comprehensive examination of the whole body of works of art and architecture commissioned by Cosimo and his sons. By looking closely at this spectacular group of commissions, we gain an entirely new picture of their patron, and of the patron's point of view. Recurrent themes in the commissions - from Fra Angelico's San Marco altarpiece to the Medici palace - indicate the main interests to which Cosimo's patronage gave visual expression. Dale Kent offers new insights an...
Raised in an aspirational Australian working-class family of Christian Scientists, in the 1960s Dale Kent embarked on a lifelong struggle to fulfil the desire of many women of her generation-to be the most she could be. Despite discrimination and self-doubt, she escaped her controlling family and established an international career as a historian of the Florentine Renaissance. But she failed to liberate herself from the crippling views of women, love and sex she had internalised in childhood. Craving independence and sexual fulfilment, Kent left her child with her husband and started afresh in the United States on an academic road trip that took in Berkeley, Harvard, Princeton and the National Gallery of Art. Her story, both poignant and darkly comical, traces a counterpoint between increasing professional success, a desperate search for a sexual soulmate and a way back to her daughter.
"Dr. Kent traces the systematic establishment of this Medici patronage network and its eventual transformation, under pressure of events, into a powerful political force."--Book jacket.
Kent explores the meaning of love and friendship as they were represented in the fifteenth century, particularly the relationship between heavenly and human friendship.
本书是一部艺术社会史的典范之作,讲述了15世纪佛罗伦萨丰富多彩又动荡不安的世界里一对年轻夫妇洛伦佐和乔瓦娜的故事。他们的一生浓缩了理想主义、美、戏剧性和政治上的动荡。
Bologna is well known for its powerful university and notariate of the thirteenth century, but the fourteenth-century city is less studied. This work redresses the imbalance in scholarship by examining social and economic life at mid-fourteenth century, particularly during the epidemic of plague, the Black Death of 1348. Arguing against medieval chroniclers' accounts of massive social, political, and religious breakdown, this examination of the immediate experience of the epidemic, based on notarial records--including over a thousand testaments--demonstrates resilience during the crisis. The notarial record reveals the activities and decisions of large numbers of individuals and families in the city and provides a reconstruction of the behavior of clergy, medical practitioners, government and neighborhood officials, and notaries during the epidemic.