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“Tick, tock, tick, tock.” Thanks to Peter Pan, this sound, if heard near water, means run: a hungry crocodile is on its way. J. M. Barrie isn’t fully to blame for spreading the word that crocodiles are our enemies, or at least the enemies of one-handed pirates—innumerable songs, stories, and legends have characterized these reptiles as a symbol of pitiless predation and insatiable appetite. Tracking twenty-three crocodilian species from India and Egypt to Africa, Australia, and beyond, Crocodile advocates that we do a complete one-eighty in our views of these magnificent creatures. Dan Wylie traces the crocodile in myth, art, and literature, demonstrating that though we commonly asso...
Aristotle characterized the elephant as “the beast which passeth all others in wit and mind” and the animal has long figured in cultural artifacts, even on continents it has never inhabited. Now Elephant provides an engaging look at the elephant’s long legacy. The image of the elephant can be found throughout world cultures as a symbol of intelligence, strength, and loyalty. Wylie draws on a rich array of examples to document that symbolic power, ranging from symbols of the Hindu god of wisdom, Ganesh, to the beloved children’s works Dumbo and Babar the Elephant. Turning to the elephant’s biological history, Wylie describes the three remaining species—the African Bush Elephant, African Forest Elephant, and the Asian Elephant—and the controversial efforts for elephant conservation. With ivory poaching and human encroachment into the animal’s natural habitats, Wylie argues that we face a uniquely poignant conservation crisis in which elephants and humans both unsustainably consume limited natural resources. A compelling new entry in the Animal series, Elephant will be necessary for every animal lover’s bookshelf.
Traces the literary history of the elephant, and its role in South Africa's cultural imaginary Elephants are in dire straits – again. They were virtually extirpated from much of Africa by European hunters in the eighteenth and nineteenth centuries, but their numbers resurged for a while in the heyday of late-colonial conservation efforts in the twentieth. Now, according to one estimate, an elephant is being killed every 15 minutes. This is at the same time that the reasons for being especially compassionate and protective towards elephants are now so well-known that they have become almost a cliché: their high intelligence, rich emotional lives including a capacity for mourning, caring ma...
It is January, 1978. Groups of nervous, dutiful white conscripts begin their National Service with Rhodesia's security forces. Ian Smith's minority regime is in its dying days and negotiations towards majority rule are already under way. For these inexperienced eighteen-year-olds, there is nothing to do but go on fighting, and hold the line while the transition happens around them. Dead Leaves is a richly textured memoir in which an ordinary troopie grapples with the unique dilemmas presented by an extraordinary period in history - the specters of inner violence and death; the pressurized arrival of manhood; and the place of conscience, friendship and beauty in the pervasive atmosphere of futile warfare.
Re-examines the evidence of what is known, or said to be known, about the life of the Zulu leader Shaka.
Daniel Berrigan (+2016+) is most notorious for dramatic anti-war actions at a Catonsville draft board and a Pennsylvania nuclear weapons plant in the ‘60s and ‘80s. Indeed, with friends, he was practically devising what’s been called “liturgical direct action.” Berrigan was also teacher, pastor, and friend to author Bill Wylie-Kellermann. Celebrant’s Flame is a well-researched, but personal book, a debt of gratitude—in the end a tome of love to his mentor. Reflecting on aspects of Berrigan’s person and work—from poet, prophet, prisoner, priest, and more, Wylie-Kellermann sketches this warm portrait of a figure whose impact on church and movement only deepens in the present moment. The book includes considerable material by Berrigan himself, some previously unpublished—a wedding homily, a long poem, a controversial speech, plus much in the way of personal letters, poetry, and memoir. Written with Berrigan’s hundredth birthday in mind, these reflections help keep the flame of this beloved celebrant burning for the stunning new movement generation arising among us.
With its distinctive, comical walk, large bill, and association with the conservation movement, the pelican has attained iconic status. But as Barbara Allen reveals, this graceful skimmer of ocean waves has a checkered history. Originally classed as “unclean” in the King James Bible, the legend of the compassionate pelican was later appropriated by Christianity to symbolize Christ’s sacrifice. This majestic bird, gifted to British royalty in 1664, has been celebrated in art and literature, from Shakespeare’s King Lear to the writing of Edward Lear, and is the holder of three Guinness World Records. The pelican’s anatomy has been copied for paper plane construction, aircraft design, and in 3D imaging, and its resilience is as remarkable as its make-up: the pelican has rallied against threats of extinction, habitat destruction, and environmental disasters such as the Deepwater Horizon oil spill. A must-read book for all bird enthusiasts, Barbara Allen’s Pelican weaves together wildlife trivia, historical tales, and the latest research to provide an engaging, many-feathered account of this emblematic bird.
For thousands of years, in the myths and folktales of people around the world, animals have spoken in human tongues. Western and non-Western literary and folkloric traditions are filled with both speaking animals, some of whom even narrate or write their own autobiographies. Animals speak, famously, in children’s stories and in cartoons and films, and today, social networking sites and blogs are both sites in which animals—primarily pets—write about their daily lives and interests. Speaking for Animals is a compilation of chapters written from a variety of disciplines that attempts to get a handle on this cross cultural and longstanding tradition of animal speaking and writing. It looks at speaking animals in literature, religious texts, poetry, social networking sites, comic books, and in animal welfare materials and even library catalogs, and addresses not just the "whys" of speaking animals, but the implications, for the animals and for ourselves.
In this book, France's leading medical anthropologist takes on one of the most tragic stories of the global AIDS crisis—the failure of the ANC government to stem the tide of the AIDS epidemic in South Africa. Didier Fassin traces the deep roots of the AIDS crisis to apartheid and, before that, to the colonial period. One person in ten is infected with HIV in South Africa, and President Thabo Mbeki has initiated a global controversy by funding questionable medical research, casting doubt on the benefits of preventing mother-to-child transmission, and embracing dissidents who challenge the viral theory of AIDS. Fassin contextualizes Mbeki's position by sensitively exploring issues of race and genocide that surround this controversy. Basing his discussion on vivid ethnographical data collected in the townships of Johannesburg, he passionately demonstrates that the unprecedented epidemiological crisis in South Africa is a demographic catastrophe as well as a human tragedy, one that cannot be understood without reference to the social history of the country, in particular to institutionalized racial inequality as the fundamental principle of government during the past century.
This book provides a plethora of insights and perspectives that take up and challenge prevailing points of view about today's Africa. The chapters examine a number of different media and topics: from African theatre to poetry, from accounts of personal history to South Africa's language policy and publishing practices. Their unifying theme is a search for tomorrow's cultural trends in an ever-changing Africa.