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A Spinster's Guide to Danger and Dukes
The perfect treat for fans of Evie Dunmore and Netflix's Bridgerton and Enola Holmes! It is a truth universally acknowledged that a lady in danger must be in need of rescue, but whether she wants to be rescued is up for debate . . . England, 1867: Miss Poppy Delamare is living a lie. To escape an odious betrothal, she fled to London where she's been hiding as the unassuming secretary Flora Deaver. However, when her beloved sister is accused of murder, Poppy cannot leave her to the wolves. Only a most unexpected - and unwelcome - collision interrupts her journey home . . . Despite a rather dismal first meeting, Joshua Fielding, the Duke of Langham, has no intention of abandoning a lady in nee...
After the Abduction
After two London seasons—and a score of resoundingly dull society suitors—Juliet Laverick finds herself longing for one man: Morgan Pryce, the dashing scoundrel who kidnapped her two years ago. But her determination to bring the rogue to justice hasn't waned—until Morgan's twin brother, Sebastian, arrives with some shocking news: Juliet's mysterious paramour has disappeared. Sebastian, Lord Templemore, dares not tell Juliet the truth: he is the man she seeks—it is his kiss she yearns for. Confessing to the abduction would bring devastating scandal upon them both. But how can he persuade her to forsake her dedicated pursuit of her dream lover, when all he dreams of is holding her in his arms again?
A Dangerous Guest
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The Strand Magazine
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The Strand Magazine
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What a Spinster Wants
Lady Edith Leveson has lived her young widowhood in shadows and secrets, not even revealing the truth to family or friends. That, it seems, is no longer an option, and she must act quickly to avoid being ruined entirely and forevermore. A handsome but reserved rescuer comes to her aid just in time, and their paths begin to entwine more than either of them expected. Graham Hastings, Lord Radcliffe, is no hero. He isn't brave, bold, or in any way noble, yet the striking Lady Edith seems determined to paint him so. One dance with her, and he seems unable to avoid finding her in need wherever he goes. The more involved he becomes, the more his heart begins to open, and he finds himself more than willing to become a hero. Hers.
Dangerous Women
What does it mean for the Sun to call Shami Chakrabarti ‘the most dangerous woman in Britain’ or the Daily Mail to label Nicola Sturgeon ‘the most dangerous wee woman in the world’? What, really, does it mean to be a dangerous woman? This powerful anthology presents fifty answers to that question, reaching past media hyperbole to explore serious considerations about the conflicts and power dynamics with which women live today. In Dangerous Women, writers, artists, politicians, journalists, performers and opinion-formers from a variety of backgrounds – including Irenosen Okojie, Jo Clifford, Bidisha, Nada Awar Jarrar, Nicola Sturgeon and many more – reflect on the long-standing idea that women, individually or collectively, constitute a threat. In doing so, they celebrate and give agency to the women who have been dismissed or trivialised for their power, talent and success – the women who have been condemned for challenging the status quo. They reclaim the right to be dangerous.
