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Peter Kayafas: Coney Island Waterdance
An elegant collection of portraits of swimmers at Coney Island across two decades This collection of 30 photographs by American photographer Peter Kayafas (born 1971) depicts people swimming in the ocean at Coney Island, a location that has long served as a source of inspiration and fascination for artists. Made over the course of many summers and one particular winter during which Kayafas was a member of Coney Island's legendary Polar Bear Club (the oldest winter bathing club in the United States) in the 1990s and 2000s, the photographs are filled with energy, movement, grace and a surprising intimacy. Using a waterproof camera, hidden just below the ocean's surface, Kayafas captures candid snapshots of unsuspecting beachgoers. His focus on the swimmers over a period of two decades provides an extended insight into the elemental relationship humans have with water.
Early Days in the Range of Light
“A splendid chronicle of early climbing in the Sierra Nevada.” —Royal Robbins It’s 1873. Gore–Tex shells and aluminum climbing gear are a century away, but the high mountains still call to those with a spirit of adventure. Imagine the stone in your hands and thousands of feet of open air below you, with only a wool jacket to weather a storm and no rope to catch a fall. Daniel Arnold did more than imagine—he spent three years retracing the steps of his climbing forefathers, and in Early Days in the Range of Light, he tells their riveting stories. From 1864 to 1931, the Sierra Nevada witnessed some of the most audacious climbing of all time. In the spirit of his predecessors, Arnol...
Salt to Summit
From the depths of Death Valley, Daniel Arnold set out to reach Mount Whitney in a way no road or trail could take him. Anything manmade or designed to make travel easy was out. With a backpack full of empty two–liter bottles, and the remotest corners of desert before him, he began his toughest test yet of physical and mental endurance. Badwater Basin sits 282 feet below sea level in Death Valley, the lowest and hottest place in the Western Hemisphere. Mount Whitney rises 14,505 feet above sea level, the highest point in the contiguous United States. Arnold spent seventeen days traveling a roundabout route from one to the other, traversing salt flats, scaling dunes, and sinking into slot c...
Buddhists, Brahmins, and Belief
In Buddhists, Brahmins, and Belief, Dan Arnold examines how the Brahmanical tradition of Purva Mimamsa and the writings of the seventh-century Buddhist Madhyamika philosopher Candrakirti challenged dominant Indian Buddhist views of epistemology. Arnold retrieves these two very different but equally important voices of philosophical dissent, showing them to have developed highly sophisticated and cogent critiques of influential Buddhist epistemologists such as Dignaga and Dharmakirti. His analysis--developed in conversation with modern Western philosophers like William Alston and J. L. Austin--offers an innovative reinterpretation of the Indian philosophical tradition, while suggesting that p...
Animals that Saw Me
Roaming the natural and urban world with a camera for over 16 years, often alone, on foot and keeping a low profile, Ed Panar has repeatedly been caught in the act of photography--not by other people, but by a random assortment of familiar animals: cows, cats, frogs, dogs, turtles, deer, geese. The animal sees Ed; Ed sees the animal. An unspoken message passes between them. If the photographer is lucky, the moment is captured on film, cataloged and tagged for future reference. In Animals That Saw Me (Volume One), Panar brings together the first collection of his most surprising and unexpected encounters with ordinary beasts--a brief, beautifully deadpan field study of the uncanny moment of recognition between species. What exactly have these animals seen? Panar's photographs serve as a reminder that we must appear at least as strange to them as they do to us.
R. Crumb's Dream Diary
For more than 40 years, legendary American artist Robert Crumb has documented his nightly dreams in a meticulously kept private journal. This material has stood as a guarded secret in a career defined by an impish compulsion to publically self-disclose. All of the artist's well-documented preoccupations are present and accounted for--rampant egomania, insatiable lust, profound self-disgust, the sad beauty of old America, the moral bankruptcy of new America and the fool's errand quest for spiritual enlightenment--but here they are entirely untamed, springing forth from forces beyond even his control. Published for the first time, the complete Dream Diaries offer readers a deep, dark look under the hood of one of America's most aggressively dynamic comedic voices.
The Devil and Daniel Webster
THE STORY: Jabez Stone, young farmer, has just been married, and the guests are dancing at his wedding. But Jabez carries a burden, for he knows that, having sold his soul to the Devil, he must, on the stroke of midnight, deliver it up to him. Shortly before twelve Mr. Scratch, lawyer, enters and the company is thunderstruck. Jabez bids his guests begone; he has made his bargain and will pay the price. His bride, however, stands by him, and so will Daniel Webster, who has come for the festivities. Webster takes the case. But Scratch is a lawyer himself and out-argues the statesman. Webster demands a jury of real Americans, living or dead. Very well, agrees the Devil, he shall have them, and ghosts appear. Webster thunders, but to no avail, and at last realizing Scratch can better him on technical grounds, he changes his tactics and appeals to the ghostly jury, men who have retained some love of country. Rising to the height of his powers, Webster performs the miracle of winning a verdict of Not Guilty.
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Invasion 68, Prague
"DECREAZIONE" is a book collecting Joseph Koudelka's images exhibited at the fifty-firth Venice Biennale, at the Vatican Pavilion. With his suggestive black-and-white images and his moving, desolated landscapes, Koudelka tells stories of destruction, declined in three different forms: time, violence, and contrast between nature and uncontrolled industrial development. Josef Koudelka was born in Moravia in 1938. He published numerous photographic books on the relationship between man and landscape, about gypsy life, and on the invasion of Prague in 1968. Significant exhibitions of his works have been held at international museums and galleries and he received numerous major awards.
