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Tempting the Tempter considers how far fifteenth-century Italian mystics would go to imitate Christ, even in his encounters with the Devil in the desert. Elena of Udine, Caterina of Bologna, and Colomba of Rieti created their own desert experience through their austere devotional practices, and they suffered and overcame temptations from the Devil. This work explores how these women actively pursued encounters with the Devil, and how these private temptations prepared them for a public ministry of miracles, contributed to their perception as living saints, and allowed their biographers to promote them as true imitators of Christ, worthy of sainthood.
Secular priests occupied a central place within thirteenth-century European society, carrying out important duties within the institutional Church, as well as participating in the lay and religious communities around them. This dissertation uses secular sources--the private registers of public notaries--to show that priests in the port city of Genoa entered into economic, spiritual, and social transactions with a wide range of people. In doing so, they built complex and durable relationships that provided ample opportunities for the exchange of ideas and values with the women, men, and other clerics with whom they shared their lives. If a major trend in scholarship on the Middle Ages over th...
Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardbound volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume thirty-one in the new series contains six original and refereed art...
In the popular imagination, the Middle Ages are often associated with lawlessness. However, historians have long recognized that medieval culture was characterized by an enormous respect for law and legal procedure. This book makes the case that one cannot understand the era's cultural trends without considering the profound development of law.
This volume, written by experts on Catherine of Siena, considers her as a church reformer, peacemaker, preacher, author, holy woman, stigmatic, saint and politically astute person. The manuscript tradition of works by and about her are also studied.
Charged by the Venetian Inquisition with the conscious and cynical feigning of holiness, Cecelia Ferrazzi (1609-1684) requested and obtained the unprecedented opportunity to defend herself through a presentation of her life story. Ferrazzi's unique inquisitorial autobiography and the transcripts of her preceding testimony, expertly transcribed and eloquently translated into English, allow us to enter an unfamiliar sector of the past and hear 'another voice'—that of a humble Venetian woman who had extraordinary experiences and exhibited exceptional courage. Born in 1609 into an artisan family, Cecilia Ferrazzi wanted to become a nun. When her parents' death in the plague of 1630 made it fin...
Dominican Penitent Women is the first comprehensive introduction in English to Dominican penitent spirituality. The volume examines Italian lay-women's ways of life through religious rules, hagiographical texts, and their own writings spanning the thirteenth to sixteenth centuries. The first section contains translations of two versions of their rules, which open a window to the religious practices and institutions that structured their lives. The second section introduces hagiographical texts, including the Miracoli of Catherine of Siena and an extract from Thomas of Siena's Supplement, which includes accounts not discussed in Raymond of Capua's Legenda maior. A final section consists of Osanna of Mantua's letters to Francesco Gonzaga and Lucia Brocadelli's Seven Revelations, in which these two women wove mundane details and cunning practical insights into their Christ-centered devotion. Book jacket.
Medieval Christianity in Practice provides readers with a sweeping look at the religious practices of the European Middle Ages. Comprising forty-two selections from primary source materials--each translated with an introduction and commentary by a specialist in the field--the collection illustrates the religious cycles, rituals, and experiences that gave meaning to medieval Christian individuals and communities. This volume of Princeton Readings in Religions assembles sources reflecting different genres, regions, and styles, including prayer books, chronicles, diaries, liturgical books, sermons, hagiography, and handbooks for the laity and clergy. The texts represent the practices through wh...
The books in The Other Voice in Early Modern Europe series chronicle the heretofore neglected stories of women between 1400 and 1700 with the aim of reviving scholarly interest in their thought as expressed in a full range of genres: treatises, orations, and history; lyric, epic, and dramatic poetry; novels and novellas; letters, biography, and autobiography; philosophy and science. Teaching Other Voices: Women and Religion in Early Modern Europe complements these rich volumes by identifying themes useful in literature, history, religion, women's studies, and introductory humanities courses. The volume's introduction, essays, and suggested course materials are intended as guides for teachers--but will serve the needs of students and scholars as well.
Notwithstanding the wealth of material published about St Clare of Assisi (1193-1253) in the context of medieval scholarship, and the wealth of visual material regarding her, there is a dearth of published scholarship concerning her cult in the early modern period. This work examines the representations of St Clare in the Italian visual tradition from the thirteenth century on, but especially between the fifteenth and the mid-seventeenth centuries, in the context of mendicant activity. Through an examination of such diverse visual images as prints, drawings, panels, sculptures, minor arts, and frescoes in relation to sermons of Franciscan preachers, starting in the thirteenth century but focusing primarily on the later tradition of early modernity, the book highlights the cult of women saints and its role in the reform movements of the Osservanza and the Catholic Reformation and in the face of Muslim-Christian encounter of the early modern era. Debby?s analyses of the preaching of the times and iconographic examination of neglected artistic sources makes the book a significant contribution to research in art history, sermon studies, gender studies, and theology.