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Tempting the Tempter
Tempting the Tempter considers how far fifteenth-century Italian mystics would go to imitate Christ, even in his encounters with the Devil in the desert. Elena of Udine, Caterina of Bologna, and Colomba of Rieti created their own desert experience through their austere devotional practices, and they suffered and overcame temptations from the Devil. This work explores how these women actively pursued encounters with the Devil, and how these private temptations prepared them for a public ministry of miracles, contributed to their perception as living saints, and allowed their biographers to promote them as true imitators of Christ, worthy of sainthood.
Living the Middle Life, Secular Priests and Their Communities in Thirteenth-century Genoa
Secular priests occupied a central place within thirteenth-century European society, carrying out important duties within the institutional Church, as well as participating in the lay and religious communities around them. This dissertation uses secular sources--the private registers of public notaries--to show that priests in the port city of Genoa entered into economic, spiritual, and social transactions with a wide range of people. In doing so, they built complex and durable relationships that provided ample opportunities for the exchange of ideas and values with the women, men, and other clerics with whom they shared their lives. If a major trend in scholarship on the Middle Ages over th...
A Companion to Catherine of Siena
This volume, written by experts on Catherine of Siena, considers her as a church reformer, peacemaker, preacher, author, holy woman, stigmatic, saint and politically astute person. The manuscript tradition of works by and about her are also studied.
Autobiography of an Aspiring Saint
Charged by the Venetian Inquisition with the conscious and cynical feigning of holiness, Cecelia Ferrazzi (1609-1684) requested and obtained the unprecedented opportunity to defend herself through a presentation of her life story. Ferrazzi's unique inquisitorial autobiography and the transcripts of her preceding testimony, expertly transcribed and eloquently translated into English, allow us to enter an unfamiliar sector of the past and hear 'another voice'—that of a humble Venetian woman who had extraordinary experiences and exhibited exceptional courage. Born in 1609 into an artisan family, Cecilia Ferrazzi wanted to become a nun. When her parents' death in the plague of 1630 made it fin...
Old Women and Art in the Early Modern Italian Domestic Interior
Though portraits of old women mediate cultural preoccupations just as effectively as those of younger women, the scant published research on images of older women belies their significance within early modern Italy. This study examines the remarkable flowering, largely overlooked in portraiture scholarship to date, of portraits of old women in Northern Italy and especially Bologna during the second half of the sixteenth century, when, as a result of religious reform, the lives of women and the family came under increasing scrutiny. Old Women and Art in the Early Modern Italian Domestic Interior draws on a wide range of primary visual sources, including portraits, religious images, architectu...
Dominican Penitent Women
Dominican Penitent Women is the first comprehensive introduction in English to Dominican penitent spirituality. The volume examines Italian lay-women's ways of life through religious rules, hagiographical texts, and their own writings spanning the thirteenth to sixteenth centuries. The first section contains translations of two versions of their rules, which open a window to the religious practices and institutions that structured their lives. The second section introduces hagiographical texts, including the Miracoli of Catherine of Siena and an extract from Thomas of Siena's Supplement, which includes accounts not discussed in Raymond of Capua's Legenda maior. A final section consists of Osanna of Mantua's letters to Francesco Gonzaga and Lucia Brocadelli's Seven Revelations, in which these two women wove mundane details and cunning practical insights into their Christ-centered devotion. Book jacket.
Medieval Christianity in Practice
Medieval Christianity in Practice provides readers with a sweeping look at the religious practices of the European Middle Ages. Comprising forty-two selections from primary source materials--each translated with an introduction and commentary by a specialist in the field--the collection illustrates the religious cycles, rituals, and experiences that gave meaning to medieval Christian individuals and communities. This volume of Princeton Readings in Religions assembles sources reflecting different genres, regions, and styles, including prayer books, chronicles, diaries, liturgical books, sermons, hagiography, and handbooks for the laity and clergy. The texts represent the practices through wh...
Teaching Other Voices
The books in The Other Voice in Early Modern Europe series chronicle the heretofore neglected stories of women between 1400 and 1700 with the aim of reviving scholarly interest in their thought as expressed in a full range of genres: treatises, orations, and history; lyric, epic, and dramatic poetry; novels and novellas; letters, biography, and autobiography; philosophy and science. Teaching Other Voices: Women and Religion in Early Modern Europe complements these rich volumes by identifying themes useful in literature, history, religion, women's studies, and introductory humanities courses. The volume's introduction, essays, and suggested course materials are intended as guides for teachers--but will serve the needs of students and scholars as well.
The Cult of St Clare of Assisi in Early Modern Italy
Notwithstanding the wealth of material published about St Clare of Assisi (1193-1253) in the context of medieval scholarship, and the wealth of visual material regarding her, there is a dearth of published scholarship concerning her cult in the early modern period. This work examines the representations of St Clare in the Italian visual tradition from the thirteenth century on, but especially between the fifteenth and the mid-seventeenth centuries, in the context of mendicant activity. Through an examination of such diverse visual images as prints, drawings, panels, sculptures, minor arts, and frescoes in relation to sermons of Franciscan preachers, starting in the thirteenth century but focusing primarily on the later tradition of early modernity, the book highlights the cult of women saints and its role in the reform movements of the Osservanza and the Catholic Reformation and in the face of Muslim-Christian encounter of the early modern era. Debby?s analyses of the preaching of the times and iconographic examination of neglected artistic sources makes the book a significant contribution to research in art history, sermon studies, gender studies, and theology.
The Saintly Politics of Catherine of Siena
Saint Catherine of Siena (1347–1380) has become a defining figure in the history of medieval religion and one of the main exemplars of the "feminine turn" in late medieval religious culture. Despite a hagiographical tradition and historiography that has placed Catherine at a mystic remove from the politics of her day, Catherine's public authority was shaped by politics, both locally in Siena and broadly within late-fourteenth-century contests between the papacy and the Republic of Florence for hegemony in central Italy. In The Saintly Politics of Catherine of Siena, F. Thomas Luongo combines literary-critical readings of Catherine's letters—she was the author of one of the largest collec...
