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Generation Dead
Stephenie Meyer meets John Green in this original supernatural romance! Love knows no boundaries . . . even death. Phoebe Kendall is just your typical goth girl with a crush. He's strong and silent . . . and dead. All over the country, a strange phenomenon is occurring. Some teenagers who die aren't staying dead. But when they come back to life, they are no longer the same. Feared and misunderstood, they are doing their best to blend into a society that doesn’t want them. The administration at Oakvale High attempts to be more welcoming of the 'differently biotic'. But the students don’t want to take classes or eat in the cafeteria next to someone who isn’t breathing. And there are no l...
Give Us a Kiss
"My imagination is always skulking about in a wrong place." And now Doyle Redmond, thirty-five-year-old nowhere writer, has crossed the line between imagination and real live trouble. On the lam in his soon-to-be ex-wife's Volvo, he's running a family errand back in his boyhood home of West Table, Missouri -- the heart of the red-dirt Ozarks. The law wants his big brother, Smoke, on a felony warrant, and Doyle's supposed to talk him into giving up. But Smoke is hunkered down in the hills with his partner, Big Annie, and her nineteen-year-old daughter, Niagra, making other plans: they're about to harvest a profitable patch of homegrown marijuana. Doyle takes just one look at Niagra's flattering red boots before joining his brother's scheme. Of course it means dealing with the law and maybe worse -- the Dollys. A legendary clan of largely criminal persuasion, the Dollys have been feuding with the Redmonds for generations. Now they want a piece of Smoke's cash crop, even if it means killing to get it. Doyle is fast realizing that yes, you can always put the country back in the boy...but sometimes that's not smart.
"Kiss Your Elbow" — A Kentucky Memoir
You’ll want to spend every minute of your time with the O’Daniel Family, experiencing their simple adventures in a way that only this oldest daughter can weave them. Written with a sense of hope and an amazing capture of mid-twentieth century detail, you will enjoy the opportunity to: Revisit big department stores again, when Louisville’s only place to shop was downtown Spend a delightful day at Fontaine Ferry, Louisville’s famous amusement park Be part of the quarrels, love and joy – feeling the bonds of this close knit era, when dependence on family members and neighbors was essential. Experience farm life in the suburbs. Deanna’s classmates jumped rope in subdivisions while th...
Strike of The Cobra
When boat trader Daniel Cassidy is approached by a Turkish businessman who offers him a lucrative international deal, he has his suspicions about the quality of the vessels on offer. Little does he realise that the boats are the last thing he should be worrying about – their hidden cargo is far more sinister. Daniel soon finds himself locked into a web of lies and deceit, and finds himself trapped between the threat of a smuggling charge and the fear that the criminals who are shadowing him will wreak a terrible revenge on him and his family. Strike of the Cobra, based on a true-life story, is a thrilling tale of crime, subterfuge and drug smuggling in Britain, Turkey and Singapore.
The Christmas Countess
A woman discovers her daughter is being raised by a very dashing earl in this Victorian holiday romance by the author of The Christmas Heiress. A Woman with A Past . . . Six years ago, Rebecca Tremaine, the daughter of a vicar, became pregnant by her fiancé. When he died unexpectedly, Rebecca was heartbroken and disgraced. The child was stillborn—or so Rebecca believed. Now, she’s both shocked and jubilant to discover that her relatives arranged for her baby girl, Lily, to be given to a distant family connection—Cameron Sinclair, Earl of Hampton. The widowed earl reluctantly agrees to let Rebecca visit Lily over Christmas at his home in Kent, where she finds that the little girl, whil...
Give Us a Kiss
"My imagination is always skulking about in a wrong place." And now Doyle Redmond, thirty-five-year-old nowhere writer, has crossed the line between imagination and real live trouble. On the lam in his soon-to-be ex-wife's Volvo, he's running a family errand back in his boyhood home of West Table, Missouri--the heart of the red-dirt Ozarks. The law wants his big brother, Smoke, on a felony warrant, and Doyle's supposed to talk him into giving up. But Smoke is hunkered down in the hills with his partner, Big Annie, and her nineteen-year-old daughter, Niagra, making other plans: they're about to harvest a profitable patch of homegrown marijuana. Doyle takes just one look at Niagra's flattering red boots before joining his brother's scheme. Of course it means dealing with the law and maybe worse--the Dollys. A legendary clan of largely criminal persuasion, the Dollys have been feuding with the Redmonds for generations. Now they want a piece of Smoke's cash crop, even if it means killing to get it. Doyle is fast realizing that yes, you can always put the country back in the boy...but sometimes that's not smart.
Secret Service Rescue
The Adair legacy concludes with a shocking revelation... Kidnapped and held captive for weeks, Shelby O'Hara is grateful to be rescued by handsome secret service agent Daniel Henderson. But the rebellious beauty balks at his 24/7 protection until she learns the shocking secret of why she was abducted: she's the granddaughter of the former U.S. vice president, a woman with lethal opponents in a deadly political game. To elude those enemies, Daniel and Shelby go on the run, although they are constantly at each other's throats...until the fighting stops with a torrid kiss. Suddenly, Shelby doesn't feel so safe. From the bad guys, maybe, but from Daniel? He's a clear and present danger to her heart
The Films of George Roy Hill, rev. ed.
As late as 1976, George Roy Hill was the first and only director to have two all-time, top-ten, box-office hits: Butch Cassidy and the Sundance Kid and The Sting (both starring Robert Redford and Paul Newman). A filmmaker with backgrounds in music, drama and television, he was a popular storyteller. His films reflect an ironic, bittersweet vision of life. The stories entertain, but the subtext is often disturbing. Hill felt that all of his major characters "create an environment, a fantasy, an illusion, and then go on to make it happen." Individual chapters study in detail the art, craft and style of each of his films, including Period of Adjustment, Toys in the Attic, The World of Henry Orient, Hawaii, The Great Waldo Pepper, Slap Shot, Thoroughly Modern Millie, Slaughterhouse Five, A Little Romance, The World According to Garp, The Little Drummer Girl and Hill's last, Funny Farm.
