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"This publication accompanies the exhibition Everywhen: The Eternal Present in Indigenous Art from Australia, Harvard Art Museums, Cambridge, Massachusetts, February 5 through September 18, 2016."
"Both medieval panel painters and those working in the fifteenth century created works that evoke the glow of precious stones, the sheen of polished gold and silver, and the colorful radiance of stained glass. Yet their approach to rendering these materials is markedly different. Marjolijn Bol explores some of the reasons behind this radical transformation by telling the history of the two oil painting techniques used to depict everything that glistens and glows-the varnish and the glaze. For more than a century after his death, the fifteenth century painter Jan van Eyck was widely credited with the invention of varnish and oil paint, on account of his unique visual realism. This was a myth,...
The first English-language book to comprehensively discuss the history and methodology of conserving medieval polychrome wood sculpture. Medieval polychrome wood sculptures are highly complex objects, bearers of histories that begin with their original carving and adornment and continue through long centuries of repainting, deterioration, restoration, and conservation. Abundantly illustrated, this book is the first in English to offer a comprehensive overview of the conservation of medieval painted wood sculpture for conservators, curators, and others charged with their care. Beginning with an illuminating discussion of the history, techniques, and meanings of these works, it continues with ...
For more than one hundred years, the Grit was small-town America's favorite family newspaper and a Sunday morning staple. Dietrick Lamade, a German immigrant and self-made man, founded the Grit and ushered it through early adversity and uncertainty, eventually initiating innovations such as direct mail and nationwide newsboy delivery, transforming the paper into a national institution. The Grit was one of the first newspapers in America to feature color photographs and fictional supplements. Williamsport: The Grit Photograph Collection documents momentous events from a turn-of-the-century city on the rise, through the end of the lumber boom, the world wars, and the great Depression, to modern times.
This groundbreaking book provides the first detailed account of the materials and techniques of perhaps the most radical—and until now, least studied—major American Abstract Expressionist. Among the most radical of the great American Abstract Expressionist painters, Clyfford Still has also long been among the least studied. Still severed ties with the commercial art world in the early 1950s, and his estate at the time of his death in 1980 comprised some 3,125 artworks—including more than 800 paintings—that were all but unknown to the art world. Susan F. Lake and Barbara A. Ramsay were granted access to this collection by the estate and by the Clyfford Still Museum in Denver, which ho...
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This second volume of Studies in Art, Science, and Technology unites studies by scientists, curators, and conservators, all of which are published here for the first time. Essays and technical notes address a variety of themes, such as connections between technology and aesthetics, aging processes of artworks, attribution and dating issues, and conservation theory. Specific examples from throughout art history add context and help promote deeper understanding. A wide range of objects are discussed in the texts, including medieval sculptures, Baroque musical instruments, Egyptian stone works, photographs, enamels, and paintings. The refined analyses of these works will prove relevant and enlightening to an interdisciplinary professional audience.