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A fourth-generation member of a Quebec City family of artists and architects, Charles Baillargé was encouraged by his family in both artistic and intellectual pursuits. He was proficient not only as an architect but also as a surveyor, engineer, mathematician, and inventor, publishing over 250 books and pamphlets on his many interests.
Gerald K. Stone has collected books about Canadian Jewry since the early 1980s. This volume is a descriptive catalog of his Judaica collection, comprising nearly 6,000 paper or electronic documentary resources in English, French, Yiddish, and Hebrew. Logically organized, indexed, and selectively annotated, the catalog is broad in scope, covering Jewish Canadian history, biography, religion, literature, the Holocaust, antisemitism, Israel and the Middle East, and more. An introduction by Richard Menkis discusses the significance of the Catalog and collecting for the study of the Jewish experience in Canada. An informative bibliographical resource, this book will be of interest to scholars and students of Canadian and North American Jewish studies.
Internet version contains all the information in the 14 volume print and CD-ROM versions; fully searchable by keyword or by browsing the name index.
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A Visual Exploration of Quebec City This book is the second in a series of four volumes that will provide a visual exploration of Quebec City, its history and its architecture. While the first volume, Quebec, World Heritage City focused on the upper town, this one, Quebec, Birthplace of New France takes us down to the lower town, where the city began early in the 17th century, with the establishment of a little trading post by the shore of the St. Lawrence River. The evolution of the lower town has always been tied to the rising and falling fortunes of Quebec as a maritime city. Over the centuries, the needs of the port determined not only the size and scale of the buildings in the sector, b...
Cet ouvrage réunit 42 articles écrits pour le quotidien Le Devoir en 1955 et 1956. Ils constituent une chronique approfondie de la vie artistique montréalaise de l’époque, alors témoin, entre autres, du passage de l’influence de Borduas et des Automatistes à celle des Plasticiens (Jauran et Fernand Leduc). Lajoie, critique mais également peintre, présente dans ces textes les enjeux de la scène artistique vus de l’intérieur, offrant ainsi un accès privilégié aux débats qui agitent ce milieu. Avec son style alerte et percutant, Lajoie soulève l’intérêt du lecteur contemporain souhaitant comprendre et saisir la dynamique qui a animé une génération d’artistes, d’amateurs et de curieux. Des textes inédits et cinq autres écrits complètent l’ensemble des publications que Lajoie a rédigé au cours de sa carrière. Dans la postface de cette édition, l’auteur livre un commentaire rétrospectif sur cet engagement qui a marqué sa vie.
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