You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This is the story of a young English lutenist named Peter Claire who, in 1629, arrives at the Danish Court to join King Christian IV's Royal Orchestra.
Now a major motion picture starring Eddie Redmayne and Oscar-winning Alicia Vikander 'An enthralling read' THE TIMES 'Heartbreaking and unforgettable, it is a complete triumph' BOSTON GLOBE 'Beautifully written. It is absolutely engrossing' SUNDAY EXPRESS Loosely inspired by a true story, this tender portrait of marriage asks: What do you do when the person you love has to change? It starts with a question, a simple favour asked by a wife of her husband while both are painting in their studio, setting off a transformation neither can anticipate. Uniting fact and fiction into an original romantic vision, The Danish Girl eloquently portrays the unique intimacy that defines every marriage and the remarkable story of Lili Elbe, a pioneer in transgender history, and the woman torn between loyalty to her marriage and her own ambitions and desires. The Danish Girl is an evocative and deeply moving novel about one of the most passionate and unusual love stories of the 20th century.
Since the late 1960s, the novels of Sjowall and Wahloo's Martin Beck detective series, along with the works of Henning Mankell, Hakan Nesser and Stieg Larsson, have sparked an explosion of Nordic crime fiction--grim police procedurals treating urgent sociopolitical issues affecting the contemporary world. Steeped in noir techniques and viewpoints, many of these novels are reaching international audiences through film and television adaptations. This reference guide introduces the world of Nordic crime fiction to English-speaking readers. Caught between the demands of conscience and societal strictures, the detectives in these stories--like the heroes of Norse mythology--know that they and their world must perish, but fight on regardless of cost. At a time of bleak eventualities, Nordic crime fiction interprets the bitter end as a celebration of the indomitable human spirit.
For readers everywhere who are embracing the Danish art of hygge – the first warm, wise and romantic hygge novel! The perfect feel-good novel to curl up with - light some candles, wrap yourself in a blanket and relax ... Bo, 26, has always been careful, cautious. However, she's just been made redundant and her life plan is beginning to unravel. Before she starts immediately applying for other jobs in a panic, her friend Kirsten persuades her to take a holiday, to visit Kirsten's mother's house in Aalborg, North Jutland, a part of Denmark Bo is ashamed to admit she has never heard of. 'What's the weather going to be like?' she asks Kirsten hopefully, scrolling her cursor over the budget airlines webpage. 'Terrible,' Kirsten replies, 'London is positively Mediterranean by comparison, and of course it's November so it'll be dark seventeen hours a day. But no one goes to Denmark to get a tan. You need a change of scene and to blow away the cobwebs, and trust me, Skagen will do that. Besides, the summerhouse is cosy whatever the weather, and you never know who else will be around.' A few clicks later and there is no going back. And Bo's life plan is about to be entirely rewritten.
This book offers a study of Danish, Norwegian, Swedish and French crime fictions covering a fifty-year period. From 1965 to the present, both Scandinavian and French societies have undergone significant transformations. Twelve literary case studies examine how crime fictions in the respective contexts have responded to shifting social realities, which have in turn played a part in transforming the generic codes and conventions of the crime novel. At the centre of the book’s analysis is crime fiction’s negotiation of the French model of Republican universalism and the Scandinavian welfare state, both of which were routinely characterised as being in a state of crisis at the end of the twentieth century. Adopting a comparative and interdisciplinary approach, the book investigates the interplay between contemporary Scandinavian and French crime narratives, considering their engagement with the relationship of the state and the citizen, and notably with identity issues (class, gender, sexuality and ethnicity in particular).
Detective Carl Morck investigates the twenty-year-old murders of a brother and sister whose confessed killer may actually be innocent, a case with ties to a homeless woman and powerful adversaries.
Profiling the canonized figures alongside recently-established filmmakers, this collection features interviews with Lars von Trier, Søren Kragh-Jacobsen, Thomas Vinterberg and Henning Carlsen among many others. It poses questions that engage with ongoing and controversial issues within film studies, which will stimulate debate in academic and filmgoing circles alike. Each interview is preceded by a photograph of the director, biographical information, and a filmography. Frame enlargements are used throughout to help clarify particular points of discussion and the book as a whole is contextualised by an informative general introduction. A valuable addition to the growing library of books on Scandinavian film, national cinema and minority cinema.