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A Lifetime of Curiosity
A memoir from David Altman
Six Years Later
Oxford professor Joseph Giant doesn't believe in being politically correct when something is wrong. In Giant's opinion, the outspoken Muslim community is threatening to take over every facet of British life. Regardless of political correctness, Giant sees it as a threat that church bells are no longer allowed on Sunday and that the day of rest has been moved to Friday all to keep a small but powerful minority happy. Beth Rimmer is an attractive student activist who opposes Giant's unpopular opinions that is, until they meet face-to-face. Giant makes a good point for his Muslim cultural concerns, and soon Rimmer is not only Giant's advocate but his outspoken supporter. Her surprising change o...
Direct Democracy Worldwide
Challenging the common assumption that models of direct democracy and representative democracy are necessarily at odds, Direct Democracy Worldwide demonstrates how practices of direct and representative democracy interact under different institutional settings and uncovers the conditions that allow them to coexist in a mutually reinforcing manner. Whereas citizen-initiated mechanisms of direct democracy can spur productive relationships between citizens and political parties, other mechanisms of direct democracy often help leaders bypass other representative institutions, undermining republican checks and balances. The book also demonstrates that the embrace of direct democracy is costly, may generate uncertainties and inconsistencies, and can be manipulated. Nonetheless, the promise of direct democracy should not be dismissed. Direct democracy is much more than a simple, pragmatic second choice when representative democracy seems not to be working as expected. Properly designed, it can empower citizens, breaking through some of the institutionalized barriers to accountability that arise in representative systems.
Altman on Altman
In Altman on Altman, one of American cinema's most incorrigible mavericks reflects on a brilliant career. Robert Altman served a long apprenticeship in movie-making before his great breakthrough, the Korean War comedy M*A*S*H (1969). It became a huge hit and won the Palme d'Or at Cannes, but also established Altman's inimitable use of sound and image, and his gift for handling a repertory company of actors. The 1970s then became Altman's decade, with a string of masterpieces: McCabe and Mrs Miller, The Long Goodbye, Thieves Like Us, Nashville . . . In the 1980s Altman struggled to fund his work, but he was restored to prominence in 1992 with The Player, an acerbic take on Hollywood. Short Cu...
Robert Altman
Collected interviews with the unpredictable and controversial filmmaker of M.A.S.H., Nashville, and Short Cuts
Citizenship and Contemporary Direct Democracy
Offers a comparative study of the origins, performance, and reform of contemporary mechanisms of direct democracy.
Liquid Propellant Rockets
David Altman, James M. Carter, S. S. Penner, Martin Summerfield. High Temperature Equilibrium, Expansion Processes, Combustion of Liquid Propellants, The Liquid Propellants Rocket Engine. Originally published in 1960. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Altman on Altman
Here, in his own words, one of American cinema's foremost mavericks - the man behind 'MA*S*H', 'Nashville', 'The Player' and 'Gosford Park' - reflects on a brilliant career.
