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Inhumanities
Inhumanities is an unprecedented account of the ways Nazi Germany manipulated and mobilized European literature, philosophy, painting, sculpture and music in support of its ideological ends. David B. Dennis shows how, based on belief that the Third Reich represented the culmination of Western civilization, culture became a key propaganda tool in the regime's program of national renewal and its campaign against political, national and racial enemies. Focusing on the daily output of the Völkischer Beobachter, the party's official organ and the most widely circulating German newspaper of the day, he reveals how activists twisted history, biography and aesthetics to fit Nazism's authoritarian, militaristic and anti-Semitic world views. Ranging from National Socialist coverage of Germans such as Luther, Dürer, Goethe, Beethoven, Wagner and Nietzsche to 'great men of the Nordic West' such as Socrates, Leonardo and Michelangelo, Dennis reveals the true extent of the regime's ambitious attempt to reshape the 'German mind'.
Beethoven in German Politics, 1870-1989
This absorbing book chronicles the exploitation of Beethoven's life and work by German political parties from the founding of the modern nation in 1870 to the peaceful East German Revolution of 1989. David Dennis taps a wealth of new archival resources to examine for the first time how propagandists of every persuasion have transformed Beethoven and his art into powerful, and varied, national symbols. In fascinating detail, Dennis introduces many 'Beethovens, ' each fashioned as part of a process that transformed the composer into the most protean, and widely abused, cultural-political symbol in modern German history.-David Large, Montana State University This book] should fascinate not only Beethoven devotees but also anyone interested in the elusiveness and malleability of historical evidence.-James R. Oestreich, New York Time
Wagner's Meistersinger
Richard Wagner's "Die Meistersinger von Nürnberg" has been one of the most performed operas ever since its premier in 1868, as it epitomizes themes of Germanness. This volume examines the representation of German history in the opera and the way it has functioned in history through political appropriation and staging practice. in performance.
Small Firms and U.S. Technology Policy
While much has been written about the U.S. Small Business Innovation Research (SBIR) program from both an institutional and a policy perspective, there remains a conspicuous void of general information about firms and research projects that are funded through the program. Providing a multi-dimensional picture of such firms and their projects, this incisive book is designed to help the reader understand in more depth the social benefits associated with the SBIR program.
Michigan Reports
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From 1989, Or European Music and the Modernist Unconscious
"Roth Family Foundation music in America imprint."
The Movement Made Us
A STEPHEN CURRY'S BOOK CLUB PICK SOUTHERN INDEPENDENT BOOKSELLERS ALLIANCE BESTSELLER "A story of triumph and resilience centered around those who dedicated their lives to the Civil Rights movement. It reminds us that, in order to truly appreciate how far we've come--and how far we still have to go--we must acknowledge the past and pay homage to those who laid the foundation. It reminds us that everyday people can be heroes if they stand up for what's right. It reminds us that we're not alone in our experiences, and that if we work together, we can make impactful change."--Stephen Curry "The Movement Made Us takes literature to a momentous Southern Black space to which I honestly never thoug...
Snakes! Guillotines! Electric Chairs! My Adventures in the Alice Cooper Band
When Alice Cooper became the stuff of legend in the early '70s, their shows were monuments of fun and invention. Riding on a string of hits like "I'm 18" and "School's Out," they became America's highest-grossing act, producing four platinum albums and hitting number one on the U.S. and U.K. charts with Billion Dollar Babies in 1973. As teenagers in Phoenix, Dennis Dunaway and lead singer Vince Furnier, who would later change his name to Alice Cooper, formed a hard-knuckles band that played prisons, cowboy bars and teen clubs. Their journey took them from Hollywood to the ferocious Detroit music scene. From struggling for recognition to topping the charts, the Alice Cooper group was entertaining, outrageous, and one-of-a-kind. Dennis Dunaway, the bassist and co-songwriter for the band, tells a story just as over-the-top crazy as their (in)famous shows. Snakes! Guillotines! Electric Chairs! is the riveting account of the band's creation in the '60s, strange glory in the '70s, and the legendary characters they met along the way.
