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The Art of David Dabydeen
David Dabydeen is from the younger generation of Caribbean writers living in Britain. His work has been highly praised for its originality and imaginative depth. In this volume, leading scholars from Europe, North America and the Caribbean discuss his poetry and fiction in the context of the politics and culture of Britain and the Caribbean. These studies explore David Dabydeen's concern with the plurality of Caribbean experience, with its African, Indian, Amerindian and European roots; the dislocation of slavery and indenture; migration and the consequent divisions in the Caribbean psyche. In particular, these essays focus on Dabydeen's aesthetic practice as a consciously post-colonial writ...
The Intended
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Turner
David Dabydeen s Turner is a long narrative poem written in response to J. M. W. Turner s celebrated poem Slavers Throwing Overboard the Dead and Dying. Dabydeen s poem focuses on what is hidden in Turner s painting, the submerged head of the drowning African. In inventing a biography and the drowned man s unspoken desires, the poem brings into confrontation the wish for renewal and the inescapable stains of history, including the meaning of Turner s painting. "
Pak's Britannica
This is the first book to be devoted solely to David Dabydeen's academic works, bringing together the best of his output from the last twenty-five years with a series of interviews. Collectively, they provide the reader with a unique insight into the mind of this acclaimed scholar.
Slave Song
Songs of frustration and defiance from African slaves and displaced Indian laborers are expressed in a harsh and lyrical Guyanese Creole far removed from contemporary English in these provocative Caribbean poems. An insightful critical apparatus of English translations surrounds these lyrics, shedding light on their meaning, while at the same time cleverly commenting on the impossibility of translating Creole and parodying critical attempts to explain and contextualize Caribbean poetry. Twenty years after the initial release of this work, the power of these poems and the self-fashioned critique that accompanies them remain a lively and vital part of Caribbean literature.
Talking Words
The publication of Talking Words has been designed to coincide with that of Pak?s Britannica: Articles by and Interviews with David Dabydeen, and provides the reader with a complementary set of essays that are focused exclusively on Dabydeen?s fictional output. Each of the ten essays was specially commissioned or extensively revised for this book, and collectively they provide new insights in his earlier poetry and the six novels published to date. Talking Words offers a fresh look by Caribbean scholars from across the world at all of Dabydeen?s major works, and clearly demonstrates the continuing interest in critical appraisal of his writing.The book has been divided into two sections, each of which contains articles whose focus is predominantly on one aspect of Dabydeen?s writing ? his poetry or his novels.
Hogarth's Blacks
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The Counting House
Set in the middle of last century, at the height of the Empire this book follows the lives of Rohini and Vidia, growing up and getting married in a small Indian village, before being seduced by tales of the promised land and the riches they will find there.
No Land, No Mother
Review: "The essays in this collection focus on the rich dialogue carried out in David Dabydeen's critically acclaimed body of writing. Dialogue across diversity and the simultaneous habitation of multiple arenas are seen as dominant characteristics of his work. Essays by Aleid Fokkema, Tobias Doring, Heike Harting and Madina Tlostanova provide rewardingly complex readings of Dabydeen's Turner, locating it within a revived tradition of Caribbean epic (with reference to Walcott, Glissant and Arion), as subverting and appropriating the romantic aesthetics of the sublime and in the connections between the concept of terror in Turner's painting and in Fanon's classic works on colonisation. Lee Jenkins and Pumla Gqola explore Dabydeen's fondness for intertextual reference, his dialogue with canonic authority and ideas about the masculine in his work. Michael Mitchell, Mark. Stein, Christine Pagnoulle and Gail Low focus on Dabydeen's more recent fiction, Disappearance, A Harlot's Progress and The Counting House. By dealing with his more recent work and looking more closely at Dabydeen's Indo-Guyanese background, this collection complements the earlier Art of David Dabydeen."--Jacket
Turner
David Dabydeen's Turner is a long narrative poem written in response to JMW Turner's celebrated painting 'Slavers Throwing Overboard the Dead & Dying'. Dabydeen's poem focuses on what is hidden in Turner's painting, the submerged head of the drowning African. In inventing a biography and the drowned man's unspoken desires, including the resisted temptation to fabricate an idyllic past, the poem brings into confrontation the wish for renewal and the inescapable stains of history, including the meaning of Turner's painting. Turner was described Caryl Phillips as "a major poem, full of lyricism and compassion, which gracefully shoulders the burden of history and introduces us to voices from the past whose voices we have all inherited", and by Hanif Kureishi as "Magnificent, vivid and original." In addition to the title poems, Turner contains selections from David Dabydeen's two earlier books, Slave Song (1984) and Coolie Odyssey. David Dabydeen was born in Guyana. He has published six acclaimed novels and three collections of poetry. He is a Fellow of the Royal Society of Literature and Professor of Literary Studies at the University of Warwick.
