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The Uprooted: The Epic Story of the Great Migrations That Made the American People
“The Uprooted: The Epic Story of the Great Migrations That Made the American People, which won the 1952 Pulitzer for history, was aimed at an audience of general readers in making his case that immigration — more than the frontier experience, or any other episode in its past — was the continuing, defining event of American history. Dispensing with footnotes and writing in a lyrical style, Dr. Handlin emphasized the common threads in the experiences of the 30 million immigrants who poured into American cities between 1820 and the turn of the century. Regardless of nationality, religion, race or ethnicity, he wrote, the common experience was wrenching hardship, alienation and a gradual A...
The Archaeologist's Manual for Conservation
This is a Foreword by an archaeologist, not a conservator, but as Brad Rodgers says, “Conservation has been steadily pulled from archaeology by the forces of specialization”(p. 3),andhewantstoremedythatsituationthroughthismanual. He seesthisworkasa“calltoactionforthenon-professionalconservator,”permitting “curators, conservators, and archaeologists to identify artifacts that need prof- sional attention and, allow these professionals to stabilize most artifacts in their own laboratories with minimal intervention, using simple non-toxic procedures” (p. 5). It is the mission of Brad’s manual to “bring conservation back into arch- ology” (p. 6). The degree of success of that go...
Kant: Political Writings
This edition includes two important texts illustrating Kants's view of history along with notes and a comprehensive bibliography.
Christ the Form of Beauty
Reveals the importance of the sacramental imagination as the key to the renewal of Christology and of modern Christian literature.
Official Register
None
Skryabin, Philosophy and the Music of Desire
Commentary on Skryabin has struggled to situate an understanding of the composer's music within his idiosyncratic philosophical world views. Early commentators' efforts to do so failed to establish a thorough or systematic approach. And later twentieth-century studies turned away from the composer's ideology, focusing instead on 'the music itself' with an analytic approach that scrutinized Skryabin's harmonic language in isolation from his philosophy. This groundbreaking study revisits the questions surrounding the composer's music within his own philosophy, but draws on new methodological tools, casting Skryabin's music in the light not only of his own philosophy of desire, but of more refined semiotic-psychoanalytical theory and modern techniques of music analysis. An interdisciplinary methodology corrects the narrow focus of Skryabin scholarship of the last century, offering insights from New Musicology and recent music theory that lead to hermeneutical, critically informed readings of selected works.
