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Making Waves
Musical sounds are some of the most mobile human elements, crossing national, cultural, and regional boundaries at an ever-increasing pace in the twentieth and twenty-first centuries. Whole musical products travel easily, though not necessarily intact, via musicians, CDs (and earlier, cassettes), satellite broadcasting, digital downloads, and streaming. The introductory chapter by the volume editors develops two framing metaphors: “traveling musics” and “making waves.” The wave-making metaphor illuminates the ways that traveling musics traverse flows of globalization and migration, initiating change, and generating energy of their own. Each of the nine contributors further examines m...
The Ghost, the Eggheads, and Babe Ruth’S Piano
It's the summer of 2004 and Freddie Holtzman cant wait to get to Camp Mason, a summer camp for eggheads or rather, gifted teens. He hopes to reconnect with Ginny Haig, a girl he met at camp last year. Freddies old friends, Logan and Monty, are there along with some new faces. He tries to win Ginnys affection, but every time he tries to talk to her, he saysand doesnerdy things. At Camp Mason, a science fair pits the eggheads against one another for the top prize of a five thousand dollar scholarship. But, when the projects go missing, friendships are put to the test, relationships get put on hold, and everyones a suspect. To make matters worse, the camp is haunted by young Billy Mason who died there decades ago. The boys are determined to solve the mystery of the ghost and the missing science projects. Freddies quest to win the scholarshipand the girl of his dreamsare constantly in jeopardy. There are complications at every turn: the ghost, a creepy caretaker, Freddies high school nemesis, a cantankerous camp manager, and a saboteur all threaten his chance to win the prize and Ginnys heart.
Sounding the Dance, Moving the Music
Performing arts in most parts of Maritime Southeast Asia are seen as an entity, where music and dance, sound and movement, acoustic and tactile elements intermingle and complement each other. Although this fact is widely known and referenced, most scholarly works in the performing arts so far have either focused on "music" or "dance" rather than treating the two in combination. The authors in this book look at both aspects in performance, moreover, they focus explicitly on the interrelation between the two, on both descriptive-analytical and metaphorical levels. The book includes diverse examples of regional performing art genres from Indonesia, Malaysia and the Philippines. All case studies are composed from the perspective of the relatively new approach and field of ethno-choreomusicology. This particular compilation gives an exemplary overview of various phenomena in movement-sound relations, and offers for the first time a thorough study of the phenomenon that is considered essential for the performing arts in Maritime Southeast Asia - the inseparability of movement and sound.
The Lancaster Bar
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Numinous Fields: Perceiving the Sacred in Nature, Landscape, and Art
Numinous Fields has its roots in a phenomenological understanding of perception. It seeks to understand what, beyond the mere sensory data they provide, landscape, nature, and art, both separately and jointly, may mean when we experience them. It focuses on actual or potential experiences of the numinous, or sacred, that such encounters may give rise to. This volume is multi-disciplinary in scope. It examines perceptions of place, space, nature, and art as well as perceptions of place, space, and nature in art. It includes chapters written by art curators, and historians and scholars in the fields of landscape, architecture, cultural geography, religious studies, philosophy, and art. Its cha...
Annual Review of the Sociology of Religion. Volume 10 (2019)
Interreligious Dialogue: From Religion to Geopolitics discusses how interreligious dialogue takes place within, and is influenced by, important sociological categories and theories, such as modernity, secularization, deprivatization, social movements, and pluralism. Starting from the study of interreligious coexistence, sacred spaces, and multi-religious rituals, the book explores the patterns of interreligious governance and politics and forms of interreligious social action in European, North American, and West and South Asian contexts. The contributors to this volume apply broader theories of organizational change and planning, communication, urban neighborhood and community studies, functionalist perspectives, and symbolic interactionism, thus presenting a wide range of possibilities for sociological engagement with studies on interreligious dialogue.
Performing Arts and the Royal Courts of Southeast Asia, Volume Two
This publication brings together current scholarship that focuses on the significance of performing arts heritage of royal courts in Southeast Asia. The contributors consist of both established and early-career researchers working on traditional performing arts in the region and abroad. The first volume, Pusaka as Documented Heritage, consists of historical case studies, contexts and developments of royal court traditions, particularly in the nineteenth and twentieth centuries. The second volume, Pusaka as Performed Heritage, comprises chapters that problematise royal court traditions in the present century with case studies that examine the viability, adaptability and contemporary contexts for coexisting administrative structures.
