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Cosmology and Architecture in Premodern Islam
This fascinating interdisciplinary study reveals connections between architecture, cosmology, and mysticism. Samer Akkach demonstrates how space ordering in premodern Islamic architecture reflects the transcendental and the sublime. The book features many new translations, a number from unpublished sources, and several illustrations. Referencing a wide range of mystical texts, and with a special focus on the works of the great Sufi master Ibn Arabi, Akkach introduces a notion of spatial sensibility that is shaped by religious conceptions of time and space. Religious beliefs about the cosmos, geography, the human body, and constructed forms are all underpinned by a consistent spatial sensibil...
'Abd al-Ghani al-Nabulusi
In this unique look at a key figure in the ‘Islamic enlightenment’, Samer Akkach examines the life and works of ‘Abd al-Ghani al-Nabulusi (1641-1731). Often characterized solely as a Sufi saint, his thought and teachings were of a much wider remit, and symptomatic of a growing rationalism among Islamic scholars during his lifetime. Through a fresh reading of his large body of mostly unpublished works, Akkach argues that ‘Abd al-Ghani helped to herald the beginning of modernity in the Arab world.
Naẓar:Vision, Belief, and Perception in Islamic Cultures
Naẓar, literally ‘vision’, is a unique Arabic-Islamic term/concept that offers an analytical framework for exploring the ways in which Islamic visual culture and aesthetic sensibility have been shaped by common conceptual tools and moral parameters. It intertwines the act of ‘seeing’ with the act of ‘reflecting’, thereby bringing the visual and cognitive functions into a complex relationship. Within the folds of this multifaceted relationship lies an entangled web of religious ideas, moral values, aesthetic preferences, scientific precepts, and socio-cultural understandings that underlie the intricacy of one’s personal belief. Peering through the lens of naẓar, the studies presented in this volume unravel aspects of these entanglements to provide new understandings of how vision, belief, and perception shape the rich Islamic visual culture. Contributors: Samer Akkach, James Bennett, Sushma Griffin, Stephen Hirtenstein, Virginia Hooker, Sakina Nomanbhoy, Shaha Parpia, Ellen Philpott-Teo, Wendy M.K. Shaw.
In-Between: Architectural Drawing and Imaginative Knowledge in Islamic and Western Traditions
Contemporary technical architectural drawings, in establishing a direct relationship between the drawing and its object, tend to privilege the visible physical world at the expense of the invisible intangible ideas and concepts, including that of the designer’s imagination. As a result, drawing may become a utilitarian tool for documentation, devoid of any meaningful value in terms of a kind of knowledge that could potentially link the visible and invisible. This book argues that design drawings should be recognized as intermediaries, mediating between the world of ideas and the world of things, spanning the intangible and tangible. The notion of the 'Imaginal' as an intermediary between t...
Letters of a Sufi Scholar
As a leading Muslim thinker, ‘Abd al-Ghanī al-Nābulusī of Damascus creatively engaged with the social, religious, and intellectual challenges that emerged during the early modern period in which he lived. Yet, at a time of high anti-mystical fervour, his Sufi-inspired views faced strong local antipathy. Through extensive correspondence, presented here for the first time, ‘Abd al-Ghanī projected his ideas and teachings beyond the parochial boundaries of Damascus, and was thus able to assert his authority at a wider regional level. The letters he himself selected, compiled, and titled shed fresh lights on the religious and intellectual exchanges among scholars in the eastern Ottoman provinces, revealing a dynamic and rigorous image of Islam, one that is profoundly inspired by humility, tolerance, and love. http://tntypography.com/brill.html
'Ilm
This edited volume of chapters resulted from an international conference held at the University of Adelaide in July 2016 under the same title to explore the multifaceted concept of ¿ilm in Islam - its agency and manifestations in the connected realms of science, religion, and the arts. The aim is to explore the Islamic civilisational responses to major shifts in the concept of 'knowledge' that took place in the post-mediaeval period, and especially within the context of the 'early modern'.
Intimate Invocations
Despite the growing interest in the intellectual history of early modern Arabs and Ottomans, many key figures of the period remain unknown. In this unique biographical account, edited and published here for the first time, Muḥammad Kamāl al-Dīn al-Ghazzī (1760-1799), the chief Shafi‘i jurisconcult of Damascus, introduces us to one of the leading figures of early modernity, ‘Abd al-Ghanī al-Nābulusī (1641-1731). Being al-Nābulusī’s great grandson, al-Ghazzī had direct access to the family’s collective memory through his parents and grandparents, as well as to his great grandfather’s scattered memoirs. Written about fifty years after al-Nābulusī’s death, al-Ghazzī’s biography, al-Wird al-Unsī, remains the authoritative account of the great master’s distinguished career, covering many aspects of his life and work in breadth, depth, and sophistication unmatched by any of the competing biographies.
Christian-Muslim Relations. A Bibliographical History. Volume 12 Asia, Africa and the Americas (1700-1800)
Christian-Muslim Relations, a Bibliographical History 12 (CMR 12) covering the Middle East, South and Southeast Asia, Africa and the Americas in the period 1700-1800 is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and also the main body of detailed entries which treat all the works, surviving or lost, that have been recorded. These entries provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous leading scholars, ...
Interior Design Concept
Interior Design Concept combines a comprehensive introduction to design concept, with a reflective examination upon the various ways it can be understood, harnessed, and implemented. Within interior architecture and design, the power of conceptual thinking to fuel creativity, innovation, and collaboration is evident in the use of design concept. Broadly accepted as an essential component in the design process, design concept is a notoriously elusive topic which has, until now, received little critical attention. This book offers a reevaluation of current academic ideas about design methodologies and the nature of inspiration, alongside brand-new data from an international research study to h...
