You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
In Midrash and Theory, David Stern presents an approach to midrashic literature through the prism of contemporary theory. As midrash--the literature of classical Jewish Scriptural interpretation--has become the focus of new interest in contemporary literary circles, it has been invoked as a precursor of post-structuralist theory and criticism. At the same time, the midrashic imagination has undergone a revival in the larger Jewish community and shown itself capable of exercising a powerful influence and hold on a new type of contemporary Jewish writing. Stern examines this resurgence of fascination with ancient Jewish interpretation from the persepctive of the cultural relevance of midrash and its connection to its original historical and literary contexts.
In this new introduction to a classic philosophical text, David Stern examines Wittgenstein's Philosophical Investigations. He gives particular attention to both the arguments of the Investigations and the way in which the work is written, especially the role of dialogue in the book. While he concentrates on helping the reader to arrive at his or h er own interpretation of the primary text, he also provides guidance to the unusually wide range of existing interpretations, and to the reasons why the Investigations have inspired such a diversity of readings.
Bringing evolutionary and developmental biology together, Evolution, Development, and the Predictable Genome uses the insights from generations of evolutionary and developmental biologists to form a solid foundation for future investigation of the genetic and developmental causes of diversity.
David Stern shows how the parable or mashal--the most distinctive type of narrative in midrash--was composed, how its symbolism works, and how it serves to convey the ideological convictions of the rabbis. He describes its relation to similar tales in other literatures, including the parables of Jesus in the New Testament and kabbalistic parables. Through its innovative approach to midrash, this study reaches beyond its particular subject, and will appeal to all readers interested in narrative and religion.
Translated by David H. Stern Uses neutral terms and Hebrew names Highlights Jewish features and Jewish references Corrects mistranslations from an anti-Jewish theological bias 436 pp. The New Testament is a Jewish book, written by Jews, initially for Jews. Its central figure was a Jew. His followers were all Jews; yet no translation--except this one--really communicates its original, essential Jewishness. Uses neutral terms and Hebrew names. Highlights Jewish features and Jewish references. Corrects mistranslations from an anti-Jewish theological basis. Freshly rendered into English using the Greek texts, this is a must for learning about first-century faith.
The Jewish Bible: an introduction -- 1. The Torah Scroll -- 2. The Hebrew Bible in the age of the manuscript -- 3. The Jewish Bible in the early age of print -- 4. The Jewish Bible since the sixteenth century -- Epilogue: The future of the Jewish Bible
The New Testament is a Jewish book, written by Jews, initially for Jews. Its central figure was a Jew. His followers were all Jews; yet no translation--except this one--really communicates its original, essential Jewishness. Uses neutral terms and Hebrew names. Highlights Jewish features and Jewish references. Corrects mistranslations from an anti-Jewish theological basis. Freshly rendered into English using the Greek texts, this is a must for learning about first-century faith.
A detailed discussion of the history, ideology. theology, and program for Messianic Judaism. Helps Christians understand God's plan for the Jewish people and their relationship in the Body. today.
None
A centennial celebration of the career and legacy of the first made-in-America violin virtuoso and one of the twentieth century’s greatest musicians. No single American could personify what Henry Luce called the American Century. But over his eighty-one years, Isaac Stern came closer than most. Russian-Jewish parents brought him to San Francisco at ten months; practice and talent got him to Carnegie Hall, critical acclaim, and the attention of the legendary impresario Sol Hurok at twenty-five. As America came of age, so too did Stern. He would go on to make music on five continents, records in formats from 78 rpm to digital, and friends as different as Frank Sinatra and Sir Isaiah Berlin. ...