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The Armenian folk epic David of Sassoun was performed and transmitted orally for over one thousand years before a variant was discovered and transcribed in 1873. The publication of this variant marks the beginning of a long period of discoveries of other variants. The fifty variants collected by1936 are the source of the epic's unified text. The action of the epic is centered on the preservation of the House of Sassoun, or freedom from invaders. The oaths taken by heroes create conflicts of loyalties that work against this central concern. The curse, another form of the oath, leads to the decline of the House of Sassoun. The father's curse, which condemns the son to barren immortality, also puts heroic life in suspension until the eschatological vision is realized.
In the course of the last two decades, both the historical reconstruction of the Iron I–Iron IIA period in Israel and Judah and the literary-historical reconstruction of the Books of Samuel have undergone major changes. With respect to the quest for the “historical David”, terms like “empire” or “Großreich” have been set aside in favor of designations like “mercenary” or “hapiru leader”, corresponding to the image of the son of Jesse presented in I Sam. At the same time, the literary-historical classification of these chapters has itself become a matter of considerable discussion. As Leonhard Rost’s theory of a source containing a “History of David’s Rise” cont...
One of the outstanding interpreters of Jewish culture in the twentieth century has been Erwin Rosenthal. This book contains some of his most influential work, ranging from the nature of Jewish political thought, both classical and medieval, to Christian reactions to Judaism and to varying approaches to the study of the Bible.
Winner of the 2018 Current Events/Social Change Book Award from the Next Generation Indie Book Awards Winner of the 2018 Bronze Current Events Book Award from the Independent Publisher Book Awards Generations ago, gambling in America was an illicit activity, dominated by gangsters like Benny Binion and Bugsy Siegel. Today, forty-eight out of fifty states permit some form of legal gambling, and America’s governors sit at the head of the gaming table. But have states become addicted to the revenue gambling can bring? And does the potential of increased revenue lead them to place risky bets on new casinos, lotteries, and online games? In Gangsters to Governors, journalist David Clary investig...
Social Partner Dance: Body, Sound, and Space is an ethnographic theory of social partner dancing built on participant observation and interviews with instructors of tango, lindy hop, salsa, blues, and various other forms. The work establishes a general analytical language for the study of these dances, based on the premise that a thorough understanding of any lead/follow form must consider in depth how it manages the four-part relationship between self, partner, music, and surroundings. Each chapter begins with a brief vignette on a distinct dance form and explores the focused worlds of partnered dancing done for the joy and entertainment of the dancers themselves. Grounded intellectually in embodiment studies and sensory ethnography, and empirically in ethnographic fieldwork, Social Partner Dance promotes scholarship that understands the social, cultural, and political functions of partner dance through its embodied practice.
Composed in India during the eighth century, this text is a foundational scripture of one of the most important Indian Buddhist tantric traditions. The author's introductory essay provides an analysis of the historical and intellectual contexts in which the text was composed, and also investigates the history of its adaptation by Buddhists. The translation itself is heavily annotated, with extensive translations from the Indian and Tibetan commentaries on the text. Includes a trilingual glossary and index.