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In his new book, Richard Brent Turner explores the history and contemporary significance of the popular religious traditions, identities, and performance forms celebrated in the second lines of the jazz street parades of black New Orleans. The second line is the group of dancers who follow the first procession of church and club members, brass bands, and grand marshals. Here musical and religious traditions interplay. Jazz Religion, the Second Line, and Black New Orleans examines the relationship of jazz to indigenous religion and spirituality. It explores how the African diasporist religious identities and musical traditions -- from Haiti and West and Central Africa -- are reinterpreted in New Orleans jazz and popular religious performances, while describing how the participants in the second line create their own social space and become proficient in the arts of political disguise, resistance, and performance.
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
With New Orleans Suite, Eric Porter and Lewis Watts join the post-Katrina conversation about New Orleans and its changing cultural scene. Using both visual evidence and the written word, Watts and Porter pay homage to the city, its region, and its residents, by mapping recent and often contradictory social and cultural transformations, and seeking to counter inadequate and often pejorative accounts of the people and place that give New Orleans its soul. Focusing for the most part on the city’s African American community, New Orleans Suite is a story about people: how bad things have happened to them in the long and short run, how they have persevered by drawing upon and transforming their cultural practices, and what they can teach us about citizenship, politics, and society.
A comprehensive literary history of New Orleans, one of the most storied cities in the world.
V. 1. Cognitions -- v. 2. Critical theories
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Recording and performing in the early 1950s, Jesse Belvin, Guitar Slim, and Johnny Ace produced at least thirteen top-25 hits between the three of them. All but forgotten in the annals of rock ‘n’ roll, these artists have influenced musicians as varied as Elvis Presley, Jimi Hendrix, Frank Zappa, and generations of soul singers. Their songs have been covered by artists like Bob Dylan, Joan Baez, Luther Vandross, and Paul Simon. In Earth Angels: The Short Lives and Controversial Deaths of Three R&B Pioneers Steve Bergsman affords readers a view of the lives and careers of three influential artists who left us much too soon. Bergsman notes in his introduction that this lack of notoriety is...