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The Shape of Change
In The Shape of Change, Anne L. Birberick and Russell Ganim bring together essays by fourteen established scholars who dedicate their studies to David Rubin as they explore the ways in which artistic endeavor shapes and is shaped by literary memory. The volume is divided into two sections. The first section, "Continuity and Discontinuity," offers essays by Jody Enders, Timothy Reiss, Twyla Meding, Marie-Odile Sweetser, Robert Corum, Jr., and the editors themselves and considers the ways in which seventeenth-century authors draw upon generic conventions or diverse artistic media to create works that reflect the aesthetic and moral values of their time. The second section, entitled "La Fontain...
Seen from Behind
This original book examines the range of meaning that has been attached to the male backside in Renaissance art and culture, the transformation of the base connotation of the image to high art, and the question of homoerotic impulses or implications of admiring male figures from behind.
The Pleasure of Writing
"This volume is recommended to both Italianist and feminist scholars and students, as well as to readers concerned with the ties between literary theory and textual analysis."--BOOK JACKET.
The Cat Who Lived With Anne Frank
Told through the warm lens of a beloved pet, The Cat Who Lived with Anne Frank captures the life of a young girl filled with promise in a way that young readers can appreciate and understand, with art by the NY Times bestselling illustrator of I DISSENT! When Mouschi the cat goes with his boy, Peter, to a secret annex, he meets a girl named Anne. Bright, kind and loving, Anne dreams of freedom and of becoming a writer whose words change the world. But Mouschi, along with Anne and her family and friends, must stay hidden, hoping for the war to end and for a better future. Told from the perspective of the cat who actually lived with Anne Frank in the famous Amsterdam annex, this poignant book ...
Sublime Worlds
Some of the language we come across, in reading other peoples' works or listening to others speak, moves us profoundly. It requires a response from us; it occupies and involves us. Writers, always readers and listeners as well, are fascinated by this phenomenon, which became the subject of the classical treatise On the Sublime , traditionally attributed to Longinus. Emma Gilby looks at this compelling and complex text in relation to the work of three major seventeenth-century authors: Pierre Corneille, Blaise Pascal and Nicolas Boileau. She offers, in each case, intimate critical readings which spin out into broad interrogations about knowledge and experience in early modern French literature.
Utopian Dreams, Apocalyptic Nightmares
Utopian Dreams, Apocalyptic Nightmares traces the history of utopian representations of the Americas, first on the part of the colonizers, who idealized the New World as an earthly paradise, and later by Latin American modernizing elites, who imagined Western industrialization, cosmopolitanism and consumption as a utopian dream for their independent societies. Carlos Fuentes, Homero Aridjis, Carmen Boullosa, and Alejandro Morales utilize the literary genre of dystopian science fiction to elaborate on how globalization has resulted in the alienation of indigenous peoples and the deterioration of the ecology. This book concludes that Mexican and Chicano perspectives on the past and the future ...
Love, Power, and Gender in Seventeenth-Century French Fairy Tales
Love is a key ingredient in the stereotypical fairy-tale ending in which everyone lives happily ever after. This romantic formula continues to influence contemporary ideas about love and marriage, but it ignores the history of love as an emotion that shapes and is shaped by hierarchies of power including gender, class, education, and social status. This interdisciplinary study questions the idealization of love as the ultimate happy ending by showing how the conteuses, the women writers who dominated the first French fairy-tale vogue in the 1690s, used the fairy-tale genre to critique the power dynamics of courtship and marriage. Their tales do not sit comfortably in the fairy-tale canon as ...
"Appelle-moi Pierrot"
The application of moliéresque critical theory to the Correspondance of Mme de Sévigné can contribute to a renewed appreciation of the highly intellectual quality of the comic genius of a "spirituelle marquise," a mother who desperately wanted to entice a distanced daughter to regularity in an epistolary exchange, a woman of wit and irony.
Radical Theatricality
Radical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic). By focusing on the dialogic relationship that inherently exists between performer and spectator in performance--rather than on the kind of literary dialogue between characters traditionally associated with drama--Radical Theatricality diachronically examines the performative poetics of the jongleuresque tradition (broadly defined to encompass such disparate performers as ancient Greek rhapsodes and contemporary Nobel Laureate Dario Fo) and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries.
The Power of Paradox: Impossible Conversations
This book argues that all truths systems include paradoxes. Paradoxes, such as found in the sciences, philosophy and religion offer themselves as mutually shared partners in a dialogue of arguably incommensurable truths on the basis of their underlying truth. Paradoxes leap beyond the epistemic border of individual truth claims. A dialogue of truths, grounded in paradox, reaches before, and at the same time past singular truths. A paradox-based dialogue of truths elevates the communication of disciplines, such as the sciences and religion, to a meta-discourse level from which differences are not perceived as obstacles for dialogue but as complementary aspects of a deeper and fuller truth in which all truths are grounded.
