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In 1900 many eminent scientists did not believe atoms existed, yet within just a few years the atomic century launched into history with an astonishing string of breakthroughs in physics that began with Albert Einstein and continues to this day. Before this explosive growth into the modern age took place, an all-but-forgotten genius strove for forty years to win acceptance for the atomic theory of matter and an altogether new way of doing physics. Ludwig Boltz-mann battled with philosophers, the scientific establishment, and his own potent demons. His victory led the way to the greatest scientific achievements of the twentieth century. Now acclaimed science writer David Lindley portrays the ...
Few revolutions in science have been more far-reaching--but less understood--than the quantum revolution in physics. Everyday experience cannot prepare us for the sub-atomic world, where quantum effects become all-important. Here, particles can look like waves, and vice versa; electrons seem to lose their identity and instead take on a shifting, unpredictable appearance that depends on how they are being observed; and a single photon may sometimes behave as if it could be in two places at once. In the world of quantum mechanics, uncertainty and ambiguity become not just unavoidable, but essential ingredients of science--a development so disturbing that to Einstein "it was as if God were playing dice with the universe." And there is no one better able to explain the quantum revolution as it approaches the century mark than David Lindley. He brings the quantum revolution full circle, showing how the familiar and trustworthy reality of the world around us is actually a consequence of the ineffable uncertainty of the subatomic quantum world--the world we can't see.
A vivid and captivating narrative about how modern science broke free of ancient philosophy, and how theoretical physics is returning to its unscientific roots In the early seventeenth century Galileo broke free from the hold of ancient Platonic and Aristotelian philosophy. He drastically changed the framework through which we view the natural world when he asserted that we should base our theory of reality on what we can observe rather than pure thought. In the process, he invented what we would come to call science. This set the stage for all the breakthroughs that followed--from Kepler to Newton to Einstein. But in the early twentieth century when quantum physics, with its deeply complex ...
This unique and comprehensive study examines how music affects Shakespeare's plays and addresses the ways in which contemporary audiences responded to it. David Lindley sets the musical scene of Early Modern England, establishing the kinds of music heard in the streets, the alehouses, private residences and the theatres of the period and outlining the period's theoretical understanding of music. Focusing throughout on the plays as theatrical performances, this work analyzes the ways Shakespeare explores and exploits the conflicting perceptions of music at the time and its dramatic and thematic potential.
The gripping, entertaining, and vividly-told narrative of a radical discovery that sent shockwaves through the scientific community and forever changed the way we understand the world. Werner Heisenberg’s “uncertainty principle” challenged centuries of scientific understanding, placed him in direct opposition to Albert Einstein, and put Niels Bohr in the middle of one of the most heated debates in scientific history. Heisenberg’s theorem stated that there were physical limits to what we could know about sub-atomic particles; this “uncertainty” would have shocking implications. In a riveting and lively account, David Lindley captures this critical episode and explains one of the most important scientific discoveries in history, which has since transcended the boundaries of science and influenced everything from literary theory to television.
David Lindley re-examines the murder trials of Frances Howard and the historical representations of her as `wife, a witch, a murderess and a whore', challenging the assumptions that have constructed her as a model of female villainy.
This volume traces the uses of music in Shakespearean performance from the first Globe and Blackfriars to contemporary, global productions.
LORD KELVIN. In 1840, a precocious 16-year-old by the name of William Thomson spent his summer vacation studying an extraordinarily sophisticated mathematical controversy. His brilliant analysis inspired lavish praise and made the boy an instant intellectual celebrity. As a young scholar William dazzled a Victorian society enthralled with the seductive authority and powerful beauty of scientific discovery. At a time when no one really understood heat, light, electricity, or magnetism, Thomson found key connections between them, laying the groundwork for two of the cornerstones of 19th century science-the theories of electromagnetism and thermodynamics. Charismatic, confident, and boyishly ha...
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The author presents a history of the attempts to find the final "theory of everything," gives a forceful argument that one can never be found, and a warning that the compromises necessary to produce a final theory may well undermine the rules of doing good science. At the heart of the story is the rise of the particle physicists and their attempts to reach far out into the cosmos for a unifying theory. Unable to subject their findings and theories to experimental scrutiny, they have moved into a world governed entirely by mathematical and highly speculative theories, none of which can be empirically verified. "Does physics then become a branch of aesthetics?" Lindley asks. For an opposing viewpoint, see Stephen Weinberg's Dreams of a Final Theory. Annotation copyright by Book News, Inc., Portland, OR