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“A daring and compulsively page-turning historical what-if fiction. . . A remarkably realistic alternative world story. . . Unapologetically opinionated, challenging, and thought provoking.” —Publishers Weekly “I am simply blown away by the imagination and scholarship that has gone into Mitchell Freedman's fabulous novel, A Disturbance of Fate. Incredibly, Freedman pulls off this historical fantasy and tells a truly fascinating, though very controversial, tale.” —Dan E. Moldea, author of The Killing of Robert F. Kennedy “A Disturbance of Fate is fun and imaginative. It presents a fascinating extrapolation from what we know about our history and reaffirms the importance of Rober...
This is Shirley Mays' third book. She is a North Carolina real estate broker and an environmental consultant. She has a Research Center at the Cotton Exchange in Wilmington, North Carolina. This book is about a conspiracy to defraud the United States taxpayers perpetrated by individuals employed by the Resolution Trust Corporation (RTC) and its successor agency on the matter in question, the Federal Deposit Insurance Corporation (FDIC). The Resolution Trust Corporation was a US government-owned asset management company mandated to liquidate assets of the defunct savings and loan associations ("S&Ls"). Between 1989 and mid-1995, the RTC closed or otherwise resolved 747 Savings & Loans Institu...
This collection provides a comprehensive analysis of intervention approaches to dementia caregiving. It reviews the existing knowledge and provides a conceptual framework for organizing caregiver interventions of all types. Of special interest is the design of an intervention study for a culturally diverse community. The volume concludes with a discussion of how to translate intervention research into public policy, with an assessment of the future of caregiving and caregiving intervention research.
On March 31, 1943, the musical Oklahoma! premiered and the modern era of the Broadway musical was born. Since that time, the theatres of Broadway have staged hundreds of musicals--some more noteworthy than others, but all in their own way a part of American theatre history. With more than 750 entries, this comprehensive reference work provides information on every musical produced on Broadway since Oklahoma's 1943 debut. Each entry begins with a brief synopsis of the show, followed by a three-part history: first, the pre-Broadway story of the show, including out-of-town try-outs and Broadway previews; next, the Broadway run itself, with dates, theatres, and cast and crew, including replacements, chorus and understudies, songs, gossip, and notes on reviews and awards; and finally, post-Broadway information with a detailed list of later notable productions, along with important reviews and awards.
Technology is king and will continue to be the driving force enlightening mankind of the past and possibly the future. This is the story of one such technological development that reveals the past and the cosmo. The impact of gaining detailed information on the past and the existence of life beyond our small planet impacts all aspects of life on earth, including religion, morality and government. The developers of this technology are caught up in a multitude of conflicting interest that put life, as we know it, at risk. The technology is not beyond the realm off possibility.
The technical and cultural boundaries between modeling, simulation, and games are increasingly blurring, providing broader access to capabilities in modeling and simulation and further credibility to game-based applications. The purpose of this study is to provide a technical assessment of Modeling, Simulation, and Games (MS&G) research and development worldwide and to identify future applications of this technology and its potential impacts on government and society. Further, this study identifies feasible applications of gaming and simulation for military systems; associated vulnerabilities of, risks to, and impacts on critical defense capabilities; and other significant indicators and war...
This book focuses on specific moments of decision-making in the epic poems of Ariosto, Tasso, Spenser, and Milton. In each of the poems, the hero must ultimately confront the choice of Aeneas at the end of the Aeneid - either to kill or to stay his hand. These later epic poems contain reflective heroes who resist the impulses of traditional martial heroism. As they deliberate, the progress of the narrative is suspended, and elements of comedy, lyric, picaresque, and romance threaten to fragment authority of the epic genre. Each of these moments reveals a particularly rich locus for observing the movement of the epic toward the novel.
"The present volume [3] is the first to appear of the five that will comprise The Oxford History of Classical Reception in English Literature (henceforth OHCREL). Each volume of OHCREL will have its own editor or team of editors"--Preface.
Exploring the diverse forms of natural theology expressed in seventeenth-century English literature, Katherine Calloway reveals how, in ways only partially recognized until now, authors such as Donne, Herbert, Vaughan, Cavendish, Hutchinson, Milton, Marvell, and Bunyan describe, challenge, and even practice natural theology in their poetry.
Art in Three Dimensions is a collection of essays by one of the most eminent figures in philosophy of art. The animating idea behind Noël Carroll's work is that philosophers of art should eschew the sort of aestheticism that often implicitly — but sometimes explicitly, as in the case of aesthetic theories of art and of their commitments to the notion of the autonomy of art — governs their methodology. Instead, Carroll argues that philosophers of art need to refocus their attention on the ways in which art enters the life of culture and the lives of individual audience members. The reference to "three dimensions" in the title refers to Carroll's view that philosophers of art should look at art from multiple angles and treat it as a substantial participant not only in society, but also as a significant influence upon the moral and emotional experiences of audiences.