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Tongass National Forest (N.F.), Helicopter Landings in Wilderness
  • Language: en
  • Pages: 582

Tongass National Forest (N.F.), Helicopter Landings in Wilderness

  • Type: Book
  • -
  • Published: 1997
  • -
  • Publisher: Unknown

None

Zines
  • Language: en
  • Pages: 258

Zines

  • Categories: Art

Graphic art from zines, small press and independant publications.

Scrawl Too
  • Language: en
  • Pages: 180

Scrawl Too

  • Categories: Art

Rachel Whiteread is one of the most acclaimed British artists of her generation. Yet, despite the fact that she has been the subject of consistent press coverage since being awarded the prestigious Turner Prize in 1993 -- & that her work openly articulates emotional themes -- there has been limited public exposure of the personality behind the work, & her sources of inspiration as an artist. Rachel's Book is far more than a conventional monograph, offering Whiteread the opportunity to present her work in published form for the first time. It is an artwork in its own right. Continuing in the spirit of the celebrated 'anti-monograph' he produced with Damien Hirst, publisher Edward Booth-Clibbo...

Official Gazette of the United States Patent and Trademark Office
  • Language: en
  • Pages: 1360

Official Gazette of the United States Patent and Trademark Office

  • Type: Book
  • -
  • Published: 2002
  • -
  • Publisher: Unknown

None

Parce que c'est vous
  • Language: fr
  • Pages: 134

Parce que c'est vous

Ce livre présente des conseils et indications en général dispensées par des coachs de haut niveau. Si vous êtes intéressé par le développement personnel, David Recchia vous les met à portée, parce que c'est vous.

The Art of D*Face
  • Language: en
  • Pages: 344

The Art of D*Face

  • Categories: Art
  • Type: Book
  • -
  • Published: 2013-11-04
  • -
  • Publisher: Hachette UK

D*Face has been a leading figure in urban art for well over a decade. A contemporary of Banksy, he is at the forefront of the urban art movement and has had a constant presence throughout its meteoric rise into popular culture. This long-awaited monograph shows the development of his career as an artist to date, encompassing his continuing street work and the path that led him from the early beginnings of the street art genre to multiple sell-out solo exhibitions around the world. Containing previously unseen images of his working processes and studio as well as firsthand anecdotes and the stories behind his extraordinary work, the book provides an insider's view of one of Britain’s most important urban artists. “D*Face is one of Britain's leading ‘newbrow’ artists, and damn if he isn't as sharp and clever - if not quite as surreptitious - as Banksy (and sharper and cleverer by half than Damien Hirst).” - Peter Frank, Los Angeles Art Critic, 2011

Eye
  • Language: en
  • Pages: 416

Eye

  • Type: Book
  • -
  • Published: 2001
  • -
  • Publisher: Unknown

None

Index of Patents Issued from the United States Patent and Trademark Office
  • Language: en
  • Pages: 1948

Index of Patents Issued from the United States Patent and Trademark Office

  • Type: Book
  • -
  • Published: 1993
  • -
  • Publisher: Unknown

None

Dati e rappresentazioni territoriali con Arcgis
  • Language: it
  • Pages: 128

Dati e rappresentazioni territoriali con Arcgis

  • Type: Book
  • -
  • Published: 2013-04-04T00:00:00+02:00
  • -
  • Publisher: FrancoAngeli

119.11

ANNO 2022 L'AMMINISTRAZIONE QUARTA PARTE
  • Language: it
  • Pages: 591

ANNO 2022 L'AMMINISTRAZIONE QUARTA PARTE

Antonio Giangrande, orgoglioso di essere diverso. ODIO OSTENTAZIONE, IMPOSIZIONE E MENZOGNA. Si nasce senza volerlo. Si muore senza volerlo. Si vive una vita di prese per il culo. Tu esisti se la tv ti considera. La Tv esiste se tu la guardi. I Fatti son fatti oggettivi naturali e rimangono tali. Le Opinioni sono atti soggettivi cangianti. Le opinioni se sono oggetto di discussione ed approfondimento, diventano testimonianze. Ergo: Fatti. Con me le Opinioni cangianti e contrapposte diventano fatti. Con me la Cronaca diventa Storia. Noi siamo quello che altri hanno voluto che diventassimo. Facciamo in modo che diventiamo quello che noi avremmo (rafforzativo di saremmo) voluto diventare. Rappresentare con verità storica, anche scomoda ai potenti di turno, la realtà contemporanea, rapportandola al passato e proiettandola al futuro. Per non reiterare vecchi errori. Perché la massa dimentica o non conosce. Denuncio i difetti e caldeggio i pregi italici. Perché non abbiamo orgoglio e dignità per migliorarci e perché non sappiamo apprezzare, tutelare e promuovere quello che abbiamo ereditato dai nostri avi. Insomma, siamo bravi a farci del male e qualcuno deve pur essere diverso!