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Hustle
Hustle documents the author's Latino youth in San Diego, California, an inferno of stolen cars, silent sex, and murdered valedictorians.
Post Traumatic Hood Disorder
A searing interrogation of identity, masculinity, and contemporary culture, Post Traumatic Hood Disorder's references range from Icarus to Sir Mix-A-Lot as the speaker assembles a bricolage self-portrait from the fractures of his past. Sliding between scholarly diction and slangy vernacular, Martinez's poems showcase a versatility of language and a wild-hearted poetic energy that is thoughtful, vulnerable, and distinctly American.
Vertov, Snow, Farocki
Vertov, Snow, Farocki: Machine Vision and the Posthuman begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detailed discussions of selected case studies. The first concerns the way Snow's La Région Centrale and De La extend and/or develops important theoretical and technical aspects of Vertov's original film, in particular those aspects that have made the film so important in the history of cinema. The linkage between Vertov's film and the works discussed in the case studies will also serve to illustrate the historical and theoretical significance of a comparative approach of this kind, and illustrate the pertinence of adopting a 'relational approach' to the history of media and its contemporary practice, an approach that is no longer focused exclusively on the technical question of the new in contemporary media practices but, in contrast, situates a work and measures its originality in historical, intermedia, and ultimately political terms.
Beyond the Image Machine
Beyond the Image Machine: A History of Visual Technologies is an eloquent and stimulating argument for an alternative history of scientific and technological imaging systems. It explores the ways in which the technological medium through which a piece of visual art is rendered contributes significantly to the experience of the human looking at it. Through a series of studies of individual art works, David Tomas gives a fascinating and wholly original account of the relationship between visual technology and human sensory perception. Illustrated throughout, the book draws on a range of hitherto marginalised examples from the world of visual representation. In examining these art works and, it draws upon the work of such key theorists as Latour, de Certeau, Mc Luhan and Barthes. Beyond the Image Machine is an original and contribution to the study of visual culture and the technologies that mediate it. It is a book that changes the terms of the debate and redefines the discipline. Anyone studying, teaching or researching in this area will find it a rich source of ideas and inspiration.
Academic Language in Diverse Classrooms: Mathematics, Grades 68
Make every student fluent in the language of learning. The Common Core and ELD standards provide pathways to academic success through academic language. Using an integrated Curricular Framework, districts, schools and professional learning communities can: Design and implement thematic units for learning Draw from content and language standards to set targets for all students Examine standards-centered materials for academic language Collaborate in planning instruction and assessment within and across lessons Consider linguistic and cultural resources of the students Create differentiated content and language objectives Delve deeply into instructional strategies involving academic language Reflect on teaching and learning
Official Gazette
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The Woodmyst Chronicles: The Complete Collection
From a faraway land... ...comes a new adventure. The Woodmyst Chronicles is the story of a small community that face the hardest of trials in a world filled with darkness, violence and magic. Starting with The Walls of Woodmyst, this series is spread over ten high-octane novels that will keep you wanting more.
Machine Art in the Twentieth Century
An investigation of artists' engagement with technical systems, tracing art historical lineages that connect works of different periods. “Machine art” is neither a movement nor a genre, but encompasses diverse ways in which artists engage with technical systems. In this book, Andreas Broeckmann examines a variety of twentieth- and early twenty-first-century artworks that articulate people's relationships with machines. In the course of his investigation, Broeckmann traces historical lineages that connect art of different periods, looking for continuities that link works from the end of the century to developments in the 1950s and 1960s and to works by avant-garde artists in the 1910s and...
