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Costuming from the Hip is a comprehensive reference for anyone who works with Middle Eastern dancewear. Dancers, costume makers, designers, and historical re-enactors will like the many illustrations, historical patterns, construction techniques, and hundreds of hints and tips. This 118-page book will take you step-by-step through measuring your body, researching your costume, laying out the patterns, fitting it, and accessorizing your creation. Topics covered include: * Making your measurement chart * Turkish coats, kaftans, and thobes * Veils * Jewelry * Designing for every body type * Coin, tassle, and cabaret belts * Bras and cholis * Shirts, vests, and blouses * Men's wear * Going professional. The book includes a glossary and an extensive bibliography.
Embellished Bras: Basic Techniques provides in-depth instruction and useful advice that guides readers through the process of turning a store-bought lingerie bra into a fabulous costume piece. This easy-to-follow four-phase process is presented through graphic step-by-step photographs and illustrations. You'll learn how to make a bra cup pattern, cover the bra and straps, and embellish with fringe, beadwork, appliques, and jewelry. From ballroom to belly dance, Embellished Bras addresses the special needs of dancers no matter what performance style. This "workshop in a book" is an excellent resource for both novice sewers and professional designers.
The Golden Ratio examines the presence of this divine number in art and architecture throughout history, as well as its ubiquity among plants, animals, and even the cosmos. This gorgeous book—with layflat dimensions that closely approximate the golden ratio—features clear, enlightening, and entertaining commentary alongside stunning full-color illustrations by Venezuelan artist and architect Rafael Araujo. From the pyramids of Giza, to quasicrystals, to the proportions of the human face, the golden ratio has an infinite capacity to generate shapes with exquisite properties. This book invites you to take a new look at this timeless topic, with a compilation of research and information wor...
A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if Go...
The Belly Dance Reader is an anthology of essays from many of the leaders in our Middle Eastern music and dance community. The contributors range from PhD scholars to hobbyists. This book is illustrated with hundreds of photos and artwork from current to vintage, including various sub-styles of the dance, gathered from around the world. Subjects covered include: An introduction, dancing at various ages and stages, history, costuming and appearance, regional and sub styles of the dance, theory and technique, as well as valuable resources such as Arabic scales and rhythms, glossary, maps and more.Belly Dance Reader ContentsSection 1 - An Introduction* Gamar a poem by Beatrice Parvin of the UK*...
The Cloth of Egypt: All About Assiut is the first book of its kind to document and celebrate the supple and sparkling fabric known today as assiut. This single-stitch metal embroidery technique originated in Turkey, but transformed into a distinctive textile tradition in Upper Egypt during the 19th century. Vintage assiut is now an exotic cult collectable, prized . This book, will entertain and educate anyone interested in its history, legends, wear and care. Vintage clothing collectors, textile historians, and belly dancers will all find inspiration and information about this sometimes mysterious, yet always beautiful assiut cloth.Part one traces the history of this cloth, known variously a...
This book examines the globalization of belly dance and the distinct dancing communities that have evolved from it. The history of belly dance has taken place within the global flow of sojourners, immigrants, entrepreneurs, and tourists from the nineteenth to the twenty-first century. In some cases, the dance is transferred to new communities within the gender normative structure of its original location in North Africa and the Middle East. Belly dance also has become part of popular culture’s Orientalist infused discourse. The consequence of this discourse has been a global revision of the solo dances of North Africa and the Middle East into new genres that are still part of the larger belly dance community but are distinct in form and meaning from the dance as practiced within communities in North Africa and the Middle East.
In these essays, dancers and scholars from around the world carefully consider the transformation of an improvised folk form from North Africa and the Middle East into a popular global dance practice. They explore the differences between the solo improvisational forms of North Africa and the Middle East, often referred to as raqs sharki, which are part of family celebrations, and the numerous globalized versions of this dance form, belly dance, derived from the movement vocabulary of North Africa and the Middle East but with a variety of performance styles distinct from its site of origin. Local versions of belly dance have grown and changed along with the role that dance plays in the community. The global evolution of belly dance is an inspiring example of the interplay of imagination, the internet and the social forces of local communities. All royalties are being donated to Women for Women International, an organization dedicated to supporting women survivors of war through economic, health, and social education programs. The contributors are proud to provide continuing sponsorship to such a worthwhile and necessary cause.
Re-hybridizing Transnational Domesticity and Femininity examines the problems of voicing the personal when considering the role and place of women in the home. Analyzing a collection of first-person cinematic and literary narratives by Assia Djebar, Annie Ernaux, Simone de Beauvoir, Raja Amari, Coline Serreau, Le la Sebbar, and Yamina Benguigui; Weber-F_ve explores the transnational processes of identity formation, gender performance, and construction of culture and society. Through a closer look at contemporary representations of French, Algerian, and Tunisian women on the page and on the screen, this study discusses the ways in which homemaking, nation, and gender are intricately bound to ...