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"A collection of poems, essays, elder conversations, and visual works, LETTERS TO THE FUTURE: BLACK WOMEN / RADICAL WRITING, celebrates temporal, spatial, formal, and linguistically innovative literature. The anthology collects late-modern and contemporary work by Black women from the United States, England, Canada, and the Caribbean--work that challenges readers to participate in meaning making. Because one contextual framework for the collection is "art as a form of epistemology," the writing in the anthology is the kind of work driven by the writer's desire to radically present, uncovering what she knows and does not know, as well as critically addressing the future."--Amazon.com.
The first-ever collection of poetry by trans and genderqueer writers
A reprint of trans poet, activist, and teacher TC Tolbert's beloved debut collection of poetry. In Gephyromania (literally, an addiction to or an obsession with bridges), Tolbert's choice isn't between female and male, lover and self, or loss and relief, but rather to live in the places where those binaries meet. Is a bridge simply an attempt to connect one body back to itself? Sensing the parallels between a lover who leaves and his own female body as it chooses to recede, the poems in Gephyromania explore the spaces between, among, across, and even within bodies.
Young feminists today are becoming activists on behalf of many causes beyond the classic—and indispensable--feminist ones of reproductive rights and equal pay for equal work. In The Fire This Time, Dawn Martin, one of four founders of The Third Wave Foundation--a multiracial, multi-issue, and multicultural activist organization--and Vivien Labaton, its first executive director, offer an exciting cross section of feminist voices that express new directions in activism, identity, and thought. Ayana Bird dissects the role of black women in hip-hop; Joshua Breitbart and Ana Noguiera demonstrate how Indimedia can break the hold of the corporate media over the news; and Jennifer Bleyer reviews the exhilarating power unleashed by the GirlZine movement. Anna Kirkland’s analysis of transsexual and transgendered people and the law is deeply thoughtful, and Shireen Lee's piece on women, technology, and feminism envisions empowering prospects for women.. Ranging from media and culture to politics and globalization, The Fire This Time is a call to new frontiers of activism, and helps reinvent feminism for a new generation.
Dawn Lundy Martin's work is neither language poetry, which rejects the speaking subject, nor strictly lyric, which embraces the speaking "I." Martin's poems bend the form into something new, seeing a way to approach the horrific and its effect on the psyche more fully than might be possible in the worn groove of the traditional lyric. Her formal inventiveness is balanced by a firm grounding in bodily experience and in the amazing capacity of language to expand itself in Martin's hands. She explodes any pretense at a world where words mean exactly what we want them to mean and never more nor less -- Back cover.
An incendiary debut poetry collection that tears into the thick skin of political malaise through to the guts of history
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Poetry. Anthology. THE VOLTA BOOK OF POETS gathers together the work of 50 talented poets of disparate backgrounds and traditions, providing a constellation of the most exciting, innovative poetry evolving today. Named for the online poetics archive The Volta, THE VOLTA BOOK OF POETS navigates contrasting styles and forms to showcase poetry in its dissimilar pleasures, presenting difference as a means for inspiring a new way to think about poetry, and to inspire readership for the poetry communities and presses radiating out from the poets collected in this essential anthology, including Rosa Alcalá, Eric Baus, Anselm Berrigan, Edmund Berrigan, Susan Briante, Sommer Browning, Julie Carr, Do...
"A follow-up to n+1's 2007 pamplet What we should have known, No regrets talks to twelve writers, editors, activists, academics, and artists about life and reading in their early twenties"--from page [4] of cover.