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An informative step-by-step guide to a series of landscape architecture projects, from the first sketched ideas through to the final transformation, and covering everything inbetween.
Covering an enormous range of subjects, this essential guide to your garden describes how to cultivate and care for your favourite plants; how to grow fruit trees, lay a lawn or design a 'potager'. The Constant Gardener reveals the fascinating history of the rose, discusses pruning techniques, tells you how to create nutrient-rich compost, pave a path or lay a hedge. It is packed with handy hints, recipes and stories.
"Made Wijaya guides readers through fantastically imagined and designed, stylistically diverse outdoor environments exploring various theories of Modernism and its current expressions."--Veranda
Alfresco Living features courtyard gardens and terraces designed to become part of the interior spaces of the homes they adjoin. These courtyard spaces function as outdoor rooms and become extensions of everyday living spaces.Many of the outdoor spaces featured are architect-designed, while others are the work of landscape designers. Some outdoor spaces are expansive, featuring green roofs and swimming pools, while others claw back a bit of the urban landscape to provide a low-maintenance escape for homeowners.
After decades of imperfect secularism, presided over by an often corrupt Congress establishment, Nehru’s diverse republic has yielded to Hindu nationalism. India, the first major democracy to fall to demagogic populism in the twenty-first century, is racing to a point of no return. Since 2014, the ruling BJP has unleashed forces that are irreversibly transforming the country. Indian democracy, honed over decades, is now the chief enabler of Hindu extremism. Bigotry has been ennobled as a healthy form of self-assertion. Anti Muslim vitriol has deluged the mainstream. Religious minorities live in terror of a vengeful majority. Congress now mimics Modi; other parties pray for a miracle. In th...
Based on over a decade of ethnographic fieldwork in the South Indian state of Tamil Nadu, Onscreen/Offscreen is an exploration of the politics and being of filmic images. The book examines contestations inside and outside the Tamil film industry over the question "what is an image?" Answers to this question may be found in the ontological politics that take place on film sets, in theatre halls, and in the social fabric of everyday life in South India, from populist electoral politics and the gendering of social space to caste uplift and domination. Bridging and synthesizing linguistic anthropology, film studies, visual studies, and media anthropology, Onscreen/Offscreen rethinks key issues across a number of fields concerned with the semiotic constitution of social life, from the performativity and ontology of images to questions of spectatorship, realism, and presence. In doing so, it offers both a challenge to any approach that would separate image from social context and a new vision for linguistic anthropology beyond the question of "language."
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