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Democracy, Empire, and the Arts in Fifth-century Athens
Athens in the fifth century B.C. offers a striking picture: the first democracy in history; the first empire created and ruled by a Greek city; and a flourishing of learning, philosophical thought, and visual and performing arts so rich as to leave a remarkable heritage for Western civilization. To what extent were these three parallel developments interrelated? An international group of fourteen scholars expert in different fields explores here the ways in which the fifth-century "cultural revolution" depended on Athenian democracy and the ways it was influenced by the fact that Athens was an imperial city. The authors bring to this analysis their individual areas of expertise--in the visual arts, poetry and drama, philosophy, archaeology, religion, and social, economic, and political history--and a variety of theoretical approaches. The product of a colloquium at Harvard's Center for Hellenic Studies in Washington, D.C., Democracy, Empire, and the Arts in Fifth-Century Athens sheds new light on a much debated question that has wide implications. The book is illustrated and enriched by a comprehensive bibliography on the subject.
Living in Posterity
Living in Posterity, presented to Bart Westerweel on his retirement as Professor of Early Modern English literature at the University of Leiden, brings together thirty-nine essays on a wide variety of subjects and themes. The contributors, scholars from the Netherlands end abroad, have drawn inspiration from the many dualities that are characteristic of Westerweel's work, such as word/image, Anglo/Dutch, familiar/other, traditional/modern, and form/function. The result is a colourful mosaic of essays on history, culture, art and literature from the first century to the modern era. The binding theme of this richly diverse book lies in the idea of the continuity between the past and the present, the cohesion between what was and what is. As such, Living in Posterity is part of the larger project of the humanities to engage sympathetically with the past - to speak with the dead and keep history alive.
The Oxford History of Historical Writing
A chronological scholarly survey of the history of historical writing in five volumes. Each volume covers a particular period of time, from the beginning of writing to the present day, and from all over the world.
Athenian Empire
In the fifth century BC, the Athenian Empire dominated the politics and culture of the Mediterranean world.This book offers a comprehensive analysis of the history and significance of the Athenian Empire. It starts by exploring possible answers to the crucial questions of the origins and growth of the empire. Subsequent sections deal with the institutions and regulations of empire, and the mechanisms by which it was controlled; the costs and benefits of imperialism (for both rulers and ruled); and the ideological, cultural and artistic aspects of Athenian power. The articles collected here engage with the full range of evidence available--literary, epigraphic, archaeological and art-historical--and offer a compelling demonstration of the range of approaches, and conclusions, for which that evidence allows.
Re-Reading Gregory of Nazianzus
This book, the newest volume in the CUA Studies in Early Christianity, presents original works by leading patristics scholars on a wide range of theological, historical, and cultural topics
Greek Notions of the Past in the Archaic and Classical Eras
This volume in The Edinburgh Leventis Studies series collects the papers presented at the sixth A. G. Leventis conference organised under the auspices of the Department of Classics at the University of Edinburgh. As with earlier volumes, it engages with new research and new approaches to the Greek past, and brings the fruits of that research to a wider audience. Although Greek historians were fundamental in the enterprise of preserving the memory of great deeds in antiquity, they were not alone in their interest in the past. The Greeks themselves, quite apart from their historians and in a variety of non-historiographical media, were constantly creating pasts for themselves that answered to ...
Time and Narrative in Ancient Historiography
Offers case studies of the past embedded in the past as a window into the ancient historians' workshop.
Athens and Boiotia
Were Athenians and Boiotians natural enemies in the Archaic and Classical period? The scholarly consensus is yes. Roy van Wijk, however, re-evaluates this commonly held assumption and shows that, far from perpetually hostile, their relationship was distinctive and complex. Moving between diplomatic normative behaviour, commemorative practice and the lived experience in the borderlands, he offers a close analysis of literary sources, combined with recent archaeological and epigraphic material, to reveal an aspect to neighbourly relations that has hitherto escaped attention. He argues that case studies such as the Mazi plain and Oropos show that territorial disputes were not a mainstay in diplomatic interactions and that commemorative practices in Panhellenic and local sanctuaries do not reflect an innate desire to castigate the neighbour. The book breaks new ground by reconstructing a more positive and polyvalent appreciation of neighbourly relations based on the local lived experience. This title is available as Open Access on Cambridge Core.
Essays on Ancient Greek Literature and Culture
In this book one of the world's leading Hellenists brings together his many contributions over four decades to our understanding of early Greek literature, above all of elegiac poetry and its relation to fifth-century prose historiography, but also of early Greek epic, iambic, melic and epigrammatic poetry. Many chapters have become seminal, e.g. that which first proposed the importance of now-lost long narrative elegies, and others exploring their performance contexts when papyri published in 1992 and 2005 yielded fragments of such long poems by Simonides and Archilochus. Another chapter argues against the widespread view that Sappho composed and performed chiefly for audiences of young girls, suggesting instead that she was a virtuoso singer and lyre-player, entertaining men in the elite symposia whose verbal and musical components are explored in several other chapters of the book. Two more volumes of collected papers will follow devoted to later Greek literature and culture.
