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There are two foundational thinkers in the history of psychoanalysis: Sigmund Freud and Heinz Kohut. Though Kohut is much less well known, he revolutionized psychoanalytic theory and the practice of psychotherapy. In a burst of creativity from the mid-1960s until his death in 1981, he reimagined the field in a way that made it open, mutual, relational, and inclusive. His conceptualization of a holistic self that is in an ongoing relationship with others represented a paradigm shift from the purely intrapsychic Freudian model of id/ego/superego. In The New World of Self, Charles B. Strozier, Konstantine Pinteris, Kathleen Kelley, and Deborah Cher draw upon their deep knowledge of Kohut's exte...
Since 2009, the Bards and Sages Quarterly has brought fans of speculative fiction an amazing variety of short stories from both new and established authors. Each issue sets out to introduce readers to the wealth of talent found in the horror, fantasy, and science fiction genres. In this issue: Diane Arrelle, A. A. Azariah-Kribbs, Tyler Bourassa, Thomas Broderick, Deborah Cher, Rona Ji, Samuel H. Johnson, Tanya Nehmelman, Douglas J. Ogurek, and Danley Romero
Drawing from Kohut's conceptualisation of self, Riker sets out how contemporary America's formulation of persons as autonomous, self-sufficient individuals is deeply injurious to the development of a vitalizing self-structure—a condition which lies behind much of the mental illness and social malaise of today's world. By carefully attending to Kohut's texts, Riker explains the structural, functional, and dynamic dimensions of Kohut's concept of the self. He creatively extends this concept to show how the self can be conceived of as an erotic striving for connectedness, beauty, and harmony, separate from the ego. Riker uses this distinction to reveal how social practices of contemporary Ame...
This book offers both a philosophical and psychological theory of an aspect of human love, first noted by Plato and used by Freud in developing psychoanalysis (transference love), namely, lovers as mirrors for one another, enabling them thus better to see and understand themselves and others. Shakespeare’s art makes the same appeal—theater as a communal mirror—expressing the artist holding a loving mirror for his culture at a point of transitional crisis between a shame and guilt culture. The book shows how Shakespeare’s plays offer better insights into the behavior of violent men than Freud’s, based on close empirical study of violent criminals; develops a theory of violence roote...
Joy A. Schroeder explores centuries of Jewish and Christian interpretations of the biblical story of Deborah, an authoritative judge, prophet, and war leader who violently defeated her enemies.
The brand-new novel from the author of Lucky Bastard and Breathers—“one of today’s very best writers” (Jonathan Maberry). Does your lifestyle not fit the person inside you? Then try someone else on for size! Call him whatever. Call him whomever. He can be any legally authorized fictional character or dead celebrity he wants for six to eight hours, simply by injecting a DNA-laced cocktail into his brain stem. It’s called Big Egos and it’s the ultimate role-playing fantasy from Engineering Genetics Organization and Systems (aka EGOS.) And, as one of the quality controllers for EGOS, he’s the ultimate ego-tripper, taking on more artificial identities than advisable—and having a ...